Hardworking student Kate takes a well paying summer job as a nanny at a winery to offset tuition expenses. Soon she realizes that something is off with the children she cares for.

Folklore collectors and con artists, Jake and Will Grimm, travel from village to village pretending to protect townsfolk from enchanted creatures and performing exorcisms. However, they are put to the test when they encounter a real magical curse in a haunted forest with real magical beings, requiring genuine courage.

When she’s written out of her show, her relationship and her seemingly perfect life, reality TV star Ann Stanway leaves Hollywood and finds herself marooned in Amish country. But when Ann is taken in by the owner of a nearby Inn, and meets a handsome young architect, she discovers that the reality she left isn’t nearly as perfect as the one she’s found.

Page Eight is lovingly turned, with elegant writing, a flawless cast and a heartfelt message from writer/director David Hare about the danger zone where spies and politicians meet. The tension builds gently as we follow the fortunes of Johnny Worricker, a jazz-loving charmer who works high up at MI5 as an intelligence analyst. It’s a part made for Bill Nighy and he purrs out bon mots with a weary panache that women 20 years younger find irresistible. One such is his neighbour, Nancy Pierpan (Rachel Weisz), in a Battersea mansion block. The question for Johnny is whether her interest in him is genuine or hides something darker. As his boss (Michael Gambon) puts it: “Distrust is a terrible habit.” Questions of trust, honour and friendship rumble through the play. The characters exchange oblique repartee as a plot about a damning dossier unwinds. It’s not to be missed.

A blue-collar family man breaks the promise he’d made to never fight again. Now forty years old, with a wife and four children who need him, Joe Carman risks everything to go back into the fighting cage and come to terms with his past.

A college graduate goes to work as a nanny for a rich New York family. Ensconced in their home, she has to juggle their dysfunction, a new romance, and the spoiled brat in her charge.

Single mother Ryan has just about given up on dating after her divorce, happily accepting her young son as the most important man in her life. That all changes when Ryan’s brother Owen, also feeling unlucky in love after a bad breakup, swaps his home in their small North Carolina town with New York City adman Sean.

Rekha is in love with Shankar since childhood. But Rekha’s adopted sister, Lata, has an affair with Shankar and breaks their union with the help of her maid.

One morning, Louise, 45, is suddenly unable to step out of her car. Sweats, anxieties, palpitations… she is having an inexplicable panic attack. She is tetanized and simply cannot set foot outside.

When a drifter befriends a quirky mortician, an unlikely business partnership is formed. Paranoia soon develops, however, and both men are forced to come to terms with the fragility of friendship and loyalty.

Hollywood drama loosely based on the life of film actress Jean Harlow, with Carroll Baker in the title role. One of two feature film biographies, both released in 1965 and both with the same title, about the ’30s platinum blonde movie star.

Set in 1962, idealistic healthcare officer Kulasatri has been assigned to work in the cape village of Taloompuk where she meets Jaa Chang, an idealistic navy sergeant who has suffered from his high-minded idealism. Together, the pair witness the natural beauty of their surroundings and the purity of the southern villagers’ lifestyle. But a cross-religion love triangle starts to rage while a devastating storm approaches, threatening all life on Taloompuk cape. The movie recreates the scene of the natural disaster that killed more than ten thousand Muslim and Buddhist Thais.