Don Knotts and Tim Conway star in The Private Eyes, a 1980 comedy about two bumbling detectives solving a murder. It’s an impressively incompetent affair. Every ancient joke falls with a muffled thud as Knotts and Conway ham their way through the pointless story: The lord and lady of a capacious manor are killed, and the lord’s ghost seems to have returned to knock off the staff one by one. There’
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Jack, who has all but failed at life, dreams of a fresh beginning abroad. Instead, he unexpectedly has to take care of his hated father Paul, who he has not seen since childhood. Paul suffers from Alzheimer’s and wants to make peace with his son while he still can. But Jack has very different plans for Paul. Two worlds collide, and a journey to Ticino, the Italian-speaking part of Switzerland, turns into an odyssey back to a painfully suppressed past.
Good hearted but not very wordly-wise, Dante is happy driving the school bus for a group of mentally handicapped children, while feeling he is somehow missing out on life and love. So he is very excited when after nearly being knocked down by her car he meets Maria, who seems immediately enamoured of him. He is soon invited to her sumptuous Palermo villa, little suspecting that this is part of a plot. He bears an amazing likeness to Maria’s stool-pigeon gangster husband and it would be convenient for them if the mobster, in the shape of Dante, was seen to be dead and buried.
Jack Spade returns from the army in his old ghetto neighbourhood when his brother, June Bug, dies. Jack declares war on Mr. Big, powerful local crimelord. His army is led by John Slade, his childhood idol who used to fight bad guys in the 70s.
The spirit of a murdered girl returns with a message. Now a stranded woman must team up with the staff of a local station to solve the mystery of her death.
Ricky, Julian and Bubbles are about to get out of jail, and this time, Julian vows to go straight, even open a legit business. Soon the Boys will all be rich. At least that’s what they’ve told the parole board. But when they arrive back at the park, they find it’s not the same old Sunnyvale – and it’s not the same old Jim Lahey, Trailer Park Supervisor.
Errol Morris’s unique documentary dramatically re-enacts the crime scene and investigation of a police officer’s murder in Dallas.
“Cásese quien pueda”, is a romantic comedy placed in Mexico City and in the Quintana Roo jungles. The story tells about two sisters with completely different goals in life: one of them wants to get married, and the other wants to succeed in her professional career; but life will take them to completely unknown and new paths. Ana Paula (Martha Higareda) is about to get married when she finds out her fiancé is cheating on her with her own cousin. That night, after many shots of tequila, Ana Paula ends up falling asleep in the back of a truck owned by a worker who that same night goes back to his hometown, a small village in Quintana Roo.