“The Principle” brings to light astonishing new scientific observations challenging the Copernican Principle; the foundational assumption underlying the modern scientific world view. The idea that the Earth occupies no special or favored position in the cosmos has launched the last two scientific revolutions – the Copernican Revolution and Relativity – and, as Lawrence Krauss has said, we could be on the verge of a third, with “Copernicus coming back to haunt us”. Interviews with leading cosmologists are interspersed with the views of dissidents and mavericks, bringing into sharp focus the challenges and implications not only for cosmology, but for our cultural and religious view of reality.
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The local train is a sight to behold in the morning, overloaded with crowds fighting to get inside. A special compartment reserved for women appears as a temporary oasis – a haven for solitude and contemplation. Director Rebana Liz John questions the women, who reveal what it means to keep ambitions alive within an oppressive patriarchal system. Black and white imagery evocatively captures the details of the women’s experience in this world. They reflect on their lives, across generations, with humour, disappointment and defiance, forming a complex tapestry whose common ground is endurance and survival.
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This portrayal of the rhythm of life and work in a gigantic textile factory in Gujarat, India, moves through the corridors and bowels of the enormously disorienting structure—taking the viewer on a journey of dehumanizing physical labor and intense hardship.