An American showgirl becomes entangled in political intrigue when the Prince Regent of a foreign country attempts to seduce her.
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Having eluded the authorities after a series of grisly murders, the pair find sanctuary at the palatial home of Granny Ruth, an eccentric philanthropist who rallies the cause of “Unique Individuals”. But even amongst “friends” the pair soon find themselves having to confront their murderous past.
Rachel is a widow during the Civil War who holds the South responsible for her husband’s death. When a wounded enemy soldier takes refuge in her barn, Rachel reluctantly helps him. As she gets to know him more, she realizes she must protect him from the dangerous men pursuing him, and discovers a courage she didn’t know she had – the courage to love again.
A comedic biopic focused on the life of fictional jazz guitarist Emmett Ray. Ray was an irresponsible, free-spending, arrogant, obnoxious, alcohol-abusing, miserable human being, who was also arguably the best guitarist in the world.
Robert Müller has wanted to be a comedian since he was a kid, but he’s only made it as a car salesman so far. This is about to change when he takes part in an open-mic show. He puts the program together with his imaginary friend, the stone-age Caveman. Then his girlfriend Claudia breaks up with him…
Fast-talking Latino con artist Pestario “Pest” Vargas is the target of Scottish mobsters to whom he owes a considerable debt. Willing to do anything to raise money and avoid severe injury or death, Vargas agrees to a very unusual job — he will be transported to a remote island and hunted by Gustav Shank, a racist German executive. If he can survive a full day and night, Vargas gets $50,000 and will be set free. Is he wily enough to elude Shank?
André and Vera are a young entrepreneurial couple. They get the opportunity to pitch their female health app at a prestigious competition. Before going there, Vera tries hypnotherapy to quit smoking. From this point, her attitude changes and André starts to behave unexpectedly.
Cultural critic David Kepesh finds his life — which he indicates is a state of “emancipated manhood” — thrown into tragic disarray by Consuela Castillo, a well-mannered student who awakens a sense of sexual possessiveness in her teacher.