Everyone’s favorite furry red monster is back with a brand-new special to teach us the importance of standing up and speaking out when people are treated unfairly.
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Blast off to adventure in this animated feature where our favorite space-age family, The Jetsons, meet the superstars of WWE! When George unearths WWE’s Big Show, who has been frozen for 100 years, the futuristic face-off begins! Once thawed, Big Show wastes no time in taking the WWE belt from the current robot champ as well as taking total control of Orbit City. It’s up to The Jetsons to travel back in time and enlist help from WWE’s brightest stars: Sheamus, Alicia Fox, Roman Reigns, Seth Rollins and the Uso brothers. Can this cosmic tag-team prevail and set this twisted time-warp straight? Tune in and see with The Jetsons and WWE!
Featuring the Christmas Day Parade down Main Street U.S.A., heartwarming stories and amazing celebrity performances. Viewers will also get a special look at “the most magical flight on earth”.
In this section continue to age in his actions reckless and not to work in a job and decides to work and refuses to popular singer Salma and it also rejects the pursuit of girls. Was decided to wear it in and succeed with the help of their daughters; decides punishment by claiming age girl betrothal to a high degree of beauty, and the kidnapping of two girls to discipline Selma. Vtkon surprise that Omar’s father had taught a lesson Monday so as not to Itlaaban divorce and divorce again.
Young businesswoman Elyse Samford’s life takes a turn when she inherits Samford Candy, a multi-billion dollar corporation, from her retired father. A trademark infringement lawsuit against a rival company brings Elyse to Higgins Attorneys and Sons, where Rob Carelli, a young, too-nice-for-his-own-good lawyer, is bullied by his boss, firm founder Carter Higgins, and his two arrogant sons. Despite his workplace woes, Rob becomes instantly smitten with Elyse. With Halloween just around the corner, Elyse invites the Higgins law firm staff to an opulent masked Halloween costume ball. Rob obeys an order to remain in the office working that night, but has a change of heart when his spunky, 12-year old niece Ruby, convinces him to attend the ball wearing a prince costume. After a magnificent waltz and magical exchange with the handsome “prince,” Elyse yearns to locate this mysterious man and hopefully find the romance her life has been missing.
The Royal Ballet Company brings Squirrel Nutkin, Tom Thumb, Hunca Munca, Jemima Puddle-Duck, Jeremy Fisher, Pigling Bland, and Pigwig to the screen doing pirouettes and pas de deux in this filmed ballet production directed by Reginald Mills. The film more properly belongs, however, to choreographer Frederick Ashmore, composer John Lanchbery, and costume designer Rostislav Douboujinsky. This literal adaptation concerns the shy Beatrix Potter and how, when all of the toy animals in her room come to life, she emerges from her shell and begins to enjoy life. Sequences include a rowdy dance with Tom Thumb and Hunca Munca destroying a collection of plaster food, a midnight pas de deux between Pigling Bland and Pigwig, and a corps de ballet of dancing mice.
Returning from a hunting trip in the forest, the Henderson family’s car hits an animal in the road. At first they fear it was a man, but when they examine the “body” they find it’s a “bigfoot”. They think it’s dead so they decide to take it home (there could be some money in this). As you guessed, it isn’t dead. Far from being the ferocious monster they fear “Harry” to be, he’s a friendly giant.
An shy writer has to go out on a date with a different man every month in order to write an article for her company’s ‘Man for Every Month’ blog.
Young Koko has just moved with his parents from his idyllic countryside home to a big city. There, with the help of his new friends and a neighbour he investigates the mysterious case of a dead old man who used to live in the flat he has just moved into. Koko and the Ghosts is a family film based on a popular Croatian series of young-adult novels written by Ivan Kušan.
