As Australian cinema broke through to international audiences in the 1970s through respected art house films like Peter Weir’s “Picnic At Hanging Rock,” a new underground of low-budget exploitation filmmakers were turning out considerably less highbrow fare. Documentary filmmaker Mark Hartley explores this unbridled era of sex and violence, complete with clips from some of the scene’s most outrageous flicks and interviews with the renegade filmmakers themselves.

More people are imprisoned in the United States at this moment than in any other time or place in history, yet the prison itself has never felt further away or more out of sight. This is a film about the prison in which we never see an actual penitentiary. The film unfolds a cinematic journey through a series of landscapes across the USA where prisons do work and affect lives, from an anti-sex-offender pocket park in Los Angeles, to a congregation of ex-incarcerated chess players shut out of the formal labor market, to an Appalachian coal town betting its future on the promise of prison jobs.

The film is submerging in the world of YouTube and internet amateur-made-films posting through the eyes of Bahoi, one of Romania’s most viewed filmmakers. The first part of the movie deeply analysis his films by going to his hometown village in Romania, Peninsula, and meeting Bahoi’s most famous characters. Also through Bahoi’s own words we are trying to find out why is he filming so much brilliant material, why is he posting it on the internet and how he took this passion with him to the West. In the second part we are traveling along with Bahoi throughout Europe to discover more talented people and make some sense of this huge boom in filmmaking.

Between 1988 and 1992, British Electronic duo The KLF had scored #1 records throughout the world and had become household names. Determined to ridicule the establishment, they battled The Beatles and ABBA after sampling their music in hit records, and published the best-selling book The Manual (How to Have a Number One the Easy Way). In 1993, to mock performance art in the ultimate fashion, The KLF set fire to £1,000,000 in cash and destroyed their entire catalogue, vanishing from the public view… until now.

Ethereal post-rock pioneers Sigur Rós play a string of impromptu gigs in their native Iceland after finishing a world tour in 2006. As they travel through the country, the band visits a wide variety of venues, from a large outdoor festival to a coffee shop.

An old-time war reporter, philosopher and writer, BernardHenri Lévy is sent by a group of newspapers (Paris Match, La Repubblica, The Wall Street Journal, Der Stern, and others) to bear witness and report from places in the world where suffering and misery is at its peak: where wars are going on under our noses, the world’s fate is being determined, and no one, it seems, is paying attention. An unflinching look at the most urgent humanitarian crises around the globe.

With the black man’s numbers dwindling and his habitat encroached upon (we mean you, Jeremy Lin), superstar comic DL Hughley is determined to get federal protection for his species in this boundary-busting mockumentary — released wild and uncensored.

The strange case of Mikhail Khodorkovsky — once believed to be the wealthiest man in Russia — who rocketed to prosperity and prominence in the 1990s, served a decade in prison, and became an unlikely martyr for the anti-Putin movement.

Jason Kuller, the comedian from New York’s Catskill Mountains, performs his material on an intimate stage in this riotous special.

The Heroes of the Somme uses original archive from the Western Front to uncover the stories of seven of the men whose remarkable bravery won them the Victoria Cross, Britain’s most prized military medal.

The seven wonder of our solar system are discussed: Enceladus’ geysers, Rings of Saturn, Jupiter’s Great Red Spot, the Asteroid Belt, Mars’ Olympus Mons, the Surface of the Sun, and planet Earth.

“The Face of Anonymous” by Gary Lang, which profiles Christopher Doyon, a.k.a. Commander X, who has hidden from the FBI in Toronto and Mexico.