A journey through the 1980s and beyond; the story of a band, an era and how one small gathering of outsiders in London shaped the entire world’s view of music and fashion. The film is not only a fascinating, often hard-hitting social and cultural document of the time, but a brutally honest story of how friendships can be won, lost and ultimately regained.

In the center of the story is the life of the indigenous people of the village Bakhtia at the river Yenisei in the Siberian Taiga. The camera follows the protagonists in the village over a period of a year. The natives, whose daily routines have barely changed over the last centuries, keep living their lives according to their own cultural traditions.

An unflinching but sensitive and personal examination of jihadism and radicalisation, its causes and its possible solutions.

With this publication experience the mysterious mythology of Egypt and be up close during an excavation “live” there. Uncover together with the research team an untouched for centuries tomb and fumble your way bit by bit through her secret with unique 3D shooting.

Antarctica lives in our dreams as the most remote, the most forbidding continent on Planet Earth. It is a huge land covered with ice as thick as three miles, seemingly invulnerable, cold and dark for eight months of the year. Yet Antarctica is also a fragile place, home to an incredible variety of life along its edges, arguably the most stunning, breathtaking and still-pristine place on earth. The one constant is that it is constantly changing, every season, every day, every hour. I’ve been fortunate to travel to Antarctica many times; most recently with 3D cameras, a first for the continent. The result is our new film, Antarctica: On the Edge.

Rock star Daniel dreams of a girlfriend for Christmas. Poet Shaine is getting in the mistletoe. Ray plans a romantic date. Postman Sam plans to ask Francesca if she will be his girlfriend.

Part film, part baptism, in BLACK MOTHER director Khalik Allah brings us on a spiritual journey through Jamaica. Soaking up its bustling metropolises and tranquil countryside, Allah introduces us to a succession of vividly rendered souls who call this island home. Their candid testimonies create a polyphonic symphony, set against a visual prayer of indelible portraiture. Thoroughly immersed between the sacred and profane, BLACK MOTHER channels rebellion and reverence into a deeply personal ode informed by Jamaica’s turbulent history but existing in the urgent present.

Recy Taylor, a 24-year-old black mother and sharecropper, was gang raped by six white boys in 1944 Alabama. Common in Jim Crow South, few women spoke up in fear for their lives. Not Recy Taylor, who bravely identified her rapists. The NAACP sent its chief rape investigator Rosa Parks, who rallied support and triggered an unprecedented outcry for justice. The film exposes a legacy of physical abuse of black women and reveals Rosa Parks’ intimate role in Recy Taylor’s story.

Live and Let Live is a feature documentary examining our relationship with animals, the history of veganism and the ethical, environmental and health reasons that move people to go vegan.

BEAUTIFUL NOISE is an in-depth exploration of a music movement in the late twentieth century, a fascinating period when some innovative musicians mixed guitar noise into conventional pop song structures while maintaining a philosophy of letting the music speak for itself. Although many of the people interviewed are notoriously press shy they have opened up about their music and experiences from over 20 years ago, how they defied the rules and became sonic innovators that have inspired so many.

Wall Writers promises unprecedented access to the early years of American graffiti. Interviews with TAKI 183 and CORNBREAD, along with other legendary artists, illuminated a time when a new form of wall writing emerged from dilapidated city neighborhoods.

Pat Tillman never thought of himself as a hero. His choice to leave a multimillion-dollar football contract and join the military wasn’t done for any reason other than he felt it was the right thing to do. The fact that the military manipulated his tragic death in the line of duty into a propaganda tool is unfathomable and thoroughly explored in Amir Bar-Lev’s riveting and enraging documentary.