Four stories about love and self-acceptance: An eleven year-old boy struggles to keep secret the attraction he feels towards his male cousin. Two former childhood friends reunite and start a relationship that gets complicated due to one of them’s fear of getting caught. A gay long lasting relationship is in jeopardy when a third man comes along. An old family man is obsessed with a young male prostitute and tries to raise the money to afford the experience.

A high school swim champion with a troubled past enrolls in the U.S. Coast Guard’s ‘A’ School, where legendary rescue swimmer, Ben Randall teaches him some hard lessons about loss, love, and self-sacrifice.

GOLDSTONE, the award-winning new feature from Australian auteur Ivan Sen (Mystery Road), is a complex and stylish crime thriller that explores themes of racism, human trafficking, police corruption, corporate malfeasance, and the trampling of indigenous people’s rights. On the trail of a missing person, troubled indigenous detective Jay Swan (Aaron Pedersen, Mystery Road) finds himself in the small mining town of Goldstone, where he is arrested for drunk driving by local cop Josh (Alex Russell, CBS’s “S.W.A.T.”). When Jay’s motel room is blasted with gun fire, it becomes clear that something larger is at play. While struggling to overcome their mutual distrust, Jay and Josh uncover a web of crime and corruption, which leads directly to the town’s cold-blooded Mayor (two-time Oscar nominee Jacki Weaver, Silver Linings Playbook) and its smarmy gold mine director (David Wenham, Lord of the Rings).

After moving to an eerie old house in the country, nine-year-old super sleuth Roxy Hunter stumbles into a world filled with unsolved mysterieus, secret plots and spooky spirits! Now, Roxy and her best friend and boy genius Max, must race to save their home, re-unite a lost love and uncover the true villain. Is it the Moody Ghost…or something even spookier?

Violet and Stella spend idyllic summers at camp and the beach. As time passes, personalities and bodies evolve in this thoughtful and elegiac indie drama about the everlasting bond of female friendship. Following the girls’ formative years from ages 9 through 13, we observe intimate details of their lives together and apart on vacations in New England and at home in California. At times, they struggle with body image, peer pressure, social awkwardness, and parental bonds. Yet at the end of the day, the girls have each other to lean on.

The second film in Terence Davies’s autobiographical series (along with “Trilogy” and “The Long Day Closes”) is an impressionistic view of a working-class family in 1940s and 1950s Liverpool, based on Davies’s own family. Through a series of exquisite tableaux Davies creates a deeply affecting photo album of a troubled family wrestling with the complexity of love.

Five years ago David’s life came undone when his young daughter fell victim to a brutal attack. The subsequent emotional fallout cost him his marriage and his job. Handicapped by guilt and anguish David abandoned his past and alienated himself. He took a second rate job as a security guard and plodded on – his wounds concealed but unhealed. All it would take is a scratch for them to open wide and consume him…. During a routine security inspection, David discovers a young Serbian girl stowed in the cab of a truck. Her sister and other girls have been murdered – all victims of a perfidious human trafficking racket. She pleads for his help. This is his chance at retribution. This time he will champion the young girl that places her trust in him. But David is taking on Goliath and he has his back against the wall and a gun at his head. Enlisting the help of a woman’s refuge counselor, David embarks on a do or die mission to save the girl.

Fran likes to think about dying. It brings sensation to her quiet life. When she makes the new guy at work laugh, it leads to more: a date, a slice of pie, a conversation, a spark. The only thing standing in their way is Fran herself.

A psychopathic killer terrorizes a babysitter, then returns seven years later to menace her again.

A creative and driven teenager is desperate to escape his hometown and the haunting memories of his turbulent childhood.

The action takes place shortly after the end of the Second World War in the Siberian hinterland, among Russians and Germans with damaged personal stories and a strange transformation: the victors seem to be crawling into the skins of the defeated, and vice versa. Ignat, is the embodiment of the larger-than-life image of the Soviet victorious warrior who, in fact, proves to be shell-shocked, sick and broken, although not completely destroyed. Trains become fetish for the heroes of the film, and speed becomes a mania; they virtually become one with their steam engines, while the machines take on human names. The heroes set up an almost fatal race in the Siberian forest, risking their own lives and those of others.

We meet Jesse and Celine nine years on in Greece. Almost two decades have passed since their first meeting on that train bound for Vienna.