Giovana and Yago are strangers who share a spark after meeting at a party. When a deadly cloud mysteriously takes over their city, they are forced to seek shelter with only each other for company. As months pass and the planet settles into an extended quarantine, their world shrinks, and they are forced to come to terms with an accelerated timeline for their relationship. With all their other interactions governed by screens, and with the strain of isolation setting in, Giovana and Yago struggle to reinvent themselves and reconcile the differences that threaten to tear them apart.
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With a great career, close friends, and an upwardly mobile fiancé, ‘How To’ book writer Grace (Chandra West) appears to have the perfect life. Meanwhile, local firefighter Steve (Mark Consuelos), having just been suspended for his reckless, yet heroic style, seems to be heading in the opposite direction That is, until a fateful fire rescue fans the flames of attraction and gives them both a new perspective on life.
Yu Hong leaves her home village and starts university in Beijing, where she develops a consuming and compulsive relationship with another student. The student riots from 1989 then ensue and take a toll on their lives.
From front rooms, Black families, friends, students and older generations navigate British and American society today.
Franck is a firefighter in Paris. He saves people. He lives at the station with his wife, who is about to have twins. He’s happy. During a call out to a fire, be puts himself in danger, to save his men. He’s going to have to learn to live again and accept to be the one being saved, this time.
The war film that’s not a war film. A film about the mental institution which backdrop is the Chechen war. A story about the patients living in an institution during the war on the border of Chechnia and Russia during the war. The patients have to continue living their day to day life after being invaded twice over, and they have to deal with their sicknesses.
Roy and Bo leave their small town the weekend after graduation for a short road trip to LA. Soon, they find themselves lashing out and leaving a trial of bodies behind them. The violence escalates throughout.
Elizabeth bristles at the religious directives of her parents, asserting her right to personhood outside demure hairstyles and turkey dinners, constructing voodoo dolls and entertaining other manners of dark drawing in her dank emo-den. When confronted with the humanity and hypocrisy of her tormentors, the young antihero vanquishes their belief systems (and bodies) asserting, “You killed me first!”
David Berman and his friends, all Holocaust survivors, have only one purpose: to go to America as soon as possible. For this they need money. Close to his aim, David is not only deprived of his savings but also overtaken by his shady past.
Paleontologist and her husband discover a mother and baby brontosaurus in Africa, try to protect them from hunters who want to capture them.
College has always been a time for experimentation, sexual, cultural and otherwise. “Harvard Man” plays out against a background of love, sex, basketball, crime and experimentation. Action and philosophy in young people’s quest to discover their true identity.
