Dorian Gray, wishing to remain young and handsome for eternity, essentially sells his soul so that a portrait can age instead of him. Over the course of the years, Dorian commits every sort of sin, heavily influenced by his friend Lord Henry Wotton. But as his life goes on, he slowly realises the emptiness and evil which he has succumbed to.
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In March of 1945, as the War in Europe is coming to a close, fighting erupts between German and American troops at the last remaining bridgehead across the Rhine.
An Asian megalopolis, today. After a wild night, a group of young wealthy friends wake up from their drunken stupor with a freakish disco- very : each of them has grown a pair of fangs – vampire teeth. Bewildered at first, the group realizes they feel stronger and more attractive than ever before. As they strain to make sense of their new situation, they lose themselves in a twisted game of taking their new vampire skills to the streets. In this new kind of nightlife, with the limits of life, love and death greatly blurred, it dawns on the group that they can no longer trust each other. Nobody can be sure of what this vampire business is all about – or, for that matter, if any of this is even real.
With his directorial debut actor Chen Jianbin walks in the footsteps of A Touch of Sin, No Man’s Land, and Black Coal, Thin Ice and offers a hard-edged mainland noir where kindness and cruelty, madness and reason, greed and humanity all struggle for dominance and the fool might not be who you think . The hook here is Chen’s amazing performance as the simple, slightly crude Latioazi, a goat farmer who has a son in jail. When a young mentally handicapped man follows him home one day and enters his life, it sets off a blaze and a chain of events follows, which bares China’s class divide raw. His random act of reluctant kindness invites a parade of strangers and grifters all intent on draining Latioazi of what little he has.
Rita Rizzoli is a narcotics cop with a plethora of disguises. When a drug shipment is hijacked, the thieves don’t know that the drug is unusually pure and packs of ‘Fatal Beauty’ begin turning up next to too many dead bodies. Mike works for the original owner of the drugs and tries to tell himself that since he does not handle the drugs, he is ‘clean’. Mike becomes Rita’s constant companion.
A lifetime ago in a sleepy Michigan lake town, Hannah Howard (Melissa Anschutz) experienced something otherworldly. For years the event was pushed to the corners of her mind, seemingly forgotten until a trip home starts unlocking her past memories. Can her advice-giving, hippy-mother (Victoria Jackson) or the small town preacher (Don Most) or her newly discovered, bigfoot-hunting brother (Josh ‘Ponceman’ Perry) help her make sense of it all? To add to the growing mystery, the strange events have started again upon Hannah’s return. Strange lights appearing in the sky over a place locals call the Devil’s Crossroads.
Escalating climate change is turning the world economy upside down. With crops dying and food price spiking, FOOD has replaced oil as the world’s most valuable commodity. Among the very few lands still left fertile, Indonesia is quickly rising as the next economic superpower, when its government is suddenly and ruthlessly overtaken by a popular rogue political party. In just three days, six former Marines must work together, find their long-lost brotherhood, stop a nationwide government- sanctioned genocide, and save millions of lives, for one last shot at redemption. Or die trying.
A U.S. sailor (Scott Brady) docks in London and in three days tries to save his brother from the gallows.
Three separate narratives each following a love story between a foreigner and a Greek. Each story represents a different generation falling in love during a time of socioeconomic turmoil that dominates Southern Europe as a whole, only to connect as a single story in the end.
A forlorn teenager abandoned in New York City spirals out of control, from a troubled kid to an accidental addict, after he mistakes the welcoming embrace of a Lower East Side drug dealer for the love of family. Offering a humorous take on the absurdity of the junky lifestyle, STRAIGHT OUTTA TOMPKINS also presents a fearlessly honest portrayal of the violence and danger that come with teen drug use.
