Archie (John Rhys-Davies) is a God on a mission to ensure that true love always wins. Or, short of that, that someone is going to die trying. Not that he particularly cares which outcome it is. That’s Archie’s “Bad Cupid” approach to romance and beware anyone who gets in his way, especially anyone he’s actually trying to help.

Sherlock Holmes and Dr. Watson find themselves in 1890s London in this holiday special.

A man’s best friend is killed on the streets of New York. The man (Robert Ginty) then transforms into a violent killer, turning New York into a great war zone and Christopher George is the only one to stop him.

We are with Pasolini during the last hours of his life, as he talks with his beloved family and friends, writes, gives a brutally honest interview, shares a meal with Ninetto Davoli, and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Over the course of the action, Pasolini’s life and his art (represented by scenes from his films, his novel-in-progress Petrolio, and his projected film Porno-Teo-Kolossal) are constantly refracted and intermingled to the point where they become one.

Young adolescent girl Jenna’s mother is dying, while at the same time Jenna is turning from a young girl into a young woman. So it is difficult for her to admit that she is afraid to lose her mother; instead she behaves contrary to how one would expect.

A drama centered on a classical pianist who has been diagnosed with ALS and the brash college student who becomes her caregiver.

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After having lost her parents, young Juli returns from the Soviet Union to her native Budapest. Scarred by the wounds of the past, the ghost of Stalin’s oppression haunts her as she reunites with her aunt and adoptive mother Magda.

Beatrice, recently widowed by a far right sympathetic policeman, lives with her son & mother. She doesn’t like migrant and foreigners. When she meets Mokhtar, an Iranian entered illegally in France, her world crumbles. This is the beginning of a passionate love story leading Beatrice to defy her racist entourage and the law so that he can cross the Channel.

Judit Ember returns to follow the life of Nóra Szabó, the heroine of her documentary film 𝘛𝘢𝘯𝘵𝘰̈𝘳𝘵𝘦́𝘯𝘦𝘵 (“Instructive Story”, 1975). The troubled young woman who formerly attempted to commit suicide by jumping off a fourth floor is now an unmarried and pregnant mother with two children. Her own mother also brought up her children in similar circumstances, in a closed community without men. But Jenő, the unflaggingly energetic labourer and father of Nóra’s third, as yet unborn child, brings change into their lives.

When a high school senior discovers her teacher is seducing her boyfriend, events turn deadly after the teacher tries to cover it up.

Deep in the woods of Maine, a broken promise made after the September 11th attacks forces two friends to confront the teenagers they were and the men they’ve become.