Filmed across three continents, this documentary shares the story of the founders of the Pan-African comic book company, Kugali, who made their dream a reality creating an original animation series with Walt Disney Animation Studios.

A film about the noted American linguist/political dissident and his warning about corporate media’s role in modern propaganda.

Featuring interviews with former employees, fellow musicians, family members and journalists, and supported by original and exclusive never-seen-before footage, this star-studded rockumentary offers a fascinating insight into the creation and recording of one of the most ground-breaking and influential albums in pop history.

When Allied forces liberated the Nazi concentration camps in 1944-45, their terrible discoveries were recorded by army and newsreel cameramen, revealing for the first time the full horror of what had happened. Making use of British, Soviet and American footage, the Ministry of Information’s Sidney Bernstein (later founder of Granada Television) aimed to create a documentary that would provide lasting, undeniable evidence of the Nazis’ unspeakable crimes. He commissioned a wealth of British talent, including editor Stewart McAllister, writer and future cabinet minister Richard Crossman – and, as treatment advisor, his friend Alfred Hitchcock. Yet, despite initial support from the British and US Governments, the film was shelved, and only now, 70 years on, has it been restored and completed by Imperial War Museums under its original title “German Concentration Camps Factual Survey”.

andquot;An American Dilemmaandquot; examines the political dilemma of helping both the Kurds and Turks. andquot;Sacksandquot; profiles the famous neurologist and author. andquot;Kidnappedandquot; looks at how an agricultural scientist was kidnapped by guerrillas in Columb…

A documentary that follows the harsh daily life of the nuns of a Buddhist monastery in this ancient kingdom of northern India, made of destitution and joyful complicity.

“The Zulus are coming,” Dark Sevier, a local DJ for public radio in Butte, Montana, announces to listeners one evening in May, 2017. By this point, everyone in the small town had been eagerly following the strange and curious series of events that would eventually bring a Zulu prince from Nongoma, South Africa, to their town of 30,000-some-odd people.

The story of the Black Panthers is often told in a scatter of repackaged parts, often depicting tragic, mythic accounts of violence and criminal activity. Master documentarian Stanley Nelson goes straight to the source, weaving a treasure of rare archival footage with the voices of the people who were there: police, FBI informants, journalists, white supporters and detractors, and Black Panthers who remained loyal to the party and those who left it. An essential history, The Black Panthers: Vanguard of the Revolution, is a vibrant, human, living and breathing chronicle of this pivotal movement that birthed a new revolutionary culture in America.

Deep rooted religious beliefs seemingly going back to the Pilgrim Fathers’ puritanism dominate a society which is entertained by violence to no end on a daily basis. If it is true that American movies reflect American society, the United States have yet another severe problem: a lack of open sexuality and eroticism.

The story of a band of brothers who travel the world in search of the answers to the burning questions: Who am I? Who is Man? Why do we search for meaning? Their journey brings them into the middle of the lives of the homeless on the streets of New York City, the orphans and disabled children of Peru, and the abandoned lepers in the forests of Ghana, Africa. What the young men discover changes them forever. Through one on one interviews and real life encounters, the brothers are awakened to the beauty of the human person and the resilience of the human spirit.

The history of New York City’s Apollo Theater in Harlem is given the full treatment.

Norval Morrisseau was the first Indigenous Canadian artist to be taken seriously in the art world. By the turn of this century his work commanded tens of thousands of dollars. So when Barenaked Ladies keyboardist Kevin Hearn learned his prized painting was a forgery, he sued. But as Jamie Kastner’s doc reveals, there was a cottage industry in fake Morrisseaus, an industry that flourished unchecked for years, feeding on greed, exploitation, racism and contempt.