The crew of “The Patent Scam” travelled from coast to coast, as well as to Eastern Texas to investigate the law offices that were filing numerous patent lawsuits and benefiting from the hard working small businesses. What they discovered was riveting.
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Revealing St. Louis, Missouri’s atomic past as a uranium processing center for the atomic bomb and the governmental and corporate negligence that lead to the illegal dumping of Manhattan Project radioactive waste throughout North County neighborhoods.
Meru is the electrifying story of three elite American climbers—Conrad Anker, Jimmy Chin, and Renan Ozturk—bent on achieving the impossible.
Aus der Ferne is a personal travelogue, a documentary about a trip through Turkey. Thomas Arslan, who filmed the journey himself, undertook the trip in May/June 2005. The route takes him through Istanbul and Ankara to Gaziantep in the southeastern part of the country, from there further eastwards via Diyarbakir and Van to Dogubayazit near the Iranian border. The film describes moments during the journey that differ from the usual motifs that inform the image of present-day Turkey – from impressions of day-to-day life in such Western cities as Istanbul and Ankara all the way to regions in the country’s easternmost territory that were locked in battle until recently.
A concert film taken from two Rolling Stones concerts during their 1972 North American tour. In 1972, the Stones bring their Exile on Main Street tour to Texas: 15 songs, with five from the “Exile” album. Mick Jagger, Keith Richards, Mick Taylor, Charlie Watts, and Bill Wyman on a small stage with three other musicians. Until the lights come up near the end, we see the Stones against a black background. The camera stays mostly on Jagger, with a few shots of Taylor. Richards is on screen for his duets and for some guitar work on the final two songs. It’s music from start to finish: hard rock (“All Down the Line”), the blues (“Love in Vain” and “Midnight Rambler”), a tribute to Chuck Berry (“Bye Bye Johnny”), and no “Satisfaction.”
Documentary about the making of Invaders from Mars
JACO tells the story of Jaco Pastorius, a self-taught, larger-than-life musician who single-handedly changed the course of modern music by redefining the sound and the role of the electric bass guitar. Never-before-seen 8mm film, photographs, and audio recordings unveil the true story behind the legend of Jaco’s life, his music, and his heartbreaking end. Featuring Joni Mitchell, Sting, Flea, Herbie Hancock, Geddy Lee, Bootsy Collins, Santana, Wayne Shorter and more, JACO will leave you longing for a time when “musicians owned the music industry.” Produced by Metallica’s Robert Trujillo with Passion Pictures (Searching for Sugar Man) and directed by Mr. Paul Marchand & Stephen Kijak.
“Take my love” is a documentary film about “Las Patronas”, a group of women who daily cook, pack and throw food to the migrants riding the “Beast” train.
Join Norwegian electronic music superstar Kygo onstage and behind the scenes as he performs at the famed L.A. venue with a bevy of special guests.
Three-time Grammy and Emmy nominated comedian Margaret Cho performs in front of a live audience in this provocative and hilarious comedy special event, tackling off-limits issues from Boko Haram to female empowerment with her razor sharp insight and wit.
The husband-and-wife team of Charles and Ray Eames were America’s most influential and important industrial designers. Admired for their creations and fascinating as individuals, they have risen to iconic status in American culture. Eames: The Architect & The Painter draws from a treasure trove of archival material, as well as new interviews with friends, colleague, and experts to capture the personal story of Charles and Ray while placing them firmly in the context of their fascinating times.
Part live stand-up performance, part documentary, this film is one of comedian Richard Pryor’s later stand-up performances. As foul-mouthed as ever, Pryor touches on most of the same topics as in his previous live shows.
The making of a serious, Canadian art house film descends into Hollywood farce when its producer is forced to compromise his vision to accommodate his drug-addled star, his leading lady and his venal backers.