For Marisol Rivera, a first generation Mexican-American, college is everything she’s worked toward. She spent mornings cleaning horse stalls and evenings studying. Now, with a scholarship in hand, she’s ready to leave Southwest Texas and begin her new life. However, when Marisol is falsely accused of a crime, she learns a heartbreaking truth: she’s undocumented. Forced to go on the run, Marisol discovers a kind America amidst a harsh bureaucratic system. A coming of age film through the lens of immigration, Marisol critically examines systemic oppression and the causality of racism.

Lissa, a twenty-year-old girl trapped in rural Pennsylvania, grapples with sex, drugs, love and loss. When a possible pregnancy forces her to take a hard look at her life, both her and the structure of the film mature, illuminating a brighter path ahead.

After serving in the trenches of World War I, Jean Diaz recoils with such horror that he renounces love and personal pleasure to immerse himself in scientific research, seeking a machine to prevent war. He thinks he has succeeded, but the government subverts his discovery, and Europe slides with seeming inevitability toward World War II. In desperation, Diaz summons the ghosts of the war dead from the graves and fields of France to give silent, accusing protest.

Recently divorced Abigail arrives right in the midst of her parents’ chaotic antics. After a lifetime of dysfunctional hilarity, the family – accompanied by an estranged brother – find it within themselves to embrace for one final goodbye.

A universal theme: a story of people trapped in an inhuman network of power. The brutal circle of the Eurogroup meetings, who impose on Greece the dictatorship of austerity, where humanity and compassion are utterly disregarded. A claustrophobic trap with no way out, exerting pressures on the protagonists which finally divide them.

Linda Gault is a luxury loving wife who casually seduces other men while getting investment tips from one of her lovers.

Henry James’ classic tale of terror The Turn of the Screw receives yet another screen adaptation in this thriller shot in Spain. A young woman (Sadie Frost) is hired to serve as a governess for two children, Miles and Flora (Nilo Mur and Ella Jones). She is hired by their uncle, the Master (Harvey Keitel), who became the guardian of the youngsters after the death of their parents. While the governess is initially enthusiastic about her job, Miles and Flora soon prove to be quite a handful, and the housekeeper Mrs. Grose (Lauren Bacall), who oversees most of the activities at the Master’s estate, is openly antagonistic to her. Before long, the governess discovers the house bears a dark secret involving Miss Jessel (Dayne Danika), the previous governess, and Fosc (Agusti Villaronga), the Master’s former valet. El Celo was the first feature from director Antoni Aloy.

Yataro Tanigawa, a one-eyed hired assassin, impresses yakuza boss Gomyo Kiyoemon with his skill. Gomyo hires Tanigawa as his bodyguard, or yojimbo, to protect him during an inter-clan conflict. Tanigawa quickly rises in stature in the clan, but finds his boss’s enemies almost overwhelming.

Twelve people who gather to gamble at a house party with Rs 12 crore. But at midnight, the lights go out, and the money disappears. No one has entered the house, no one has left. The money isn’t found in the house vicinity either.

After agreeing to meet an obscene caller at a bar, a young New York reporter witnesses a murder and becomes an unwilling player in a dangerous game of cat-and-mouse.

Riding High is a 1981 British drama film directed by Ross Cramer and starring Eddie Kidd, Irene Handl and Murray Salem. The screenplay concerns a bored young motorcycle messenger who begins training to take part in a major competition.

Justino, a 45-year-old member of the indigenous Desana people, is a security guard at the Manaus harbor. As his daughter prepares to soon depart to Brasília, Justino comes down with a mysterious fever.