Gerry and Tom Jeffers are finding married life hard. Tom is an inventor/ architect and there is little money for them to live on. They are about to be thrown out of their apartment when Gerry meets rich businessman being shown around as a prospective tenant. He gives Gerry $700 to start life afresh but Tom refuses to believe her story and they quarrel. Gerry decides the marriage is over and heads to Palm Beach for a quick divorce but Tom has plans to stop her.
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Just north of London live Wendy, Andy, and their twenty-something twins, Natalie and Nicola. Wendy clerks in a shop, leads aerobics at a primary school, jokes like a vaudevillian, agrees to waitress at a friend’s new restaurant and dotes on Andy, a cook who forever puts off home remodeling projects, and with a drunken friend, buys a broken down lunch wagon. Natalie, with short neat hair and a snappy, droll manner, is a plumber; she has a holiday planned in America, but little else. Last is Nicola, odd man out: a snarl, big glasses, cigarette, mussed hair, jittery fingers, bulimic, jobless, and unhappy. How they interact and play out family conflict and love is the film’s subject.
The idyllic and secluded Finnish archipelago. The pandemic soars across the world. Elli’s world trembles as her husband’s old friend arrives at the island.
When young Baptiste meets Cookie Kunty, a young Parisian drag queen, he feels compelled to start a new photographic project.
When a small town woman with southern charm is given a big promotion managing a store in the Big Apple, she tries to adopt a big city personality and it leads to disastrous results.
A fractured family is forced to confront what tore them apart at the eldest son’s wedding.
Simple conversations engender complicated human interactions. The first in Eric Rohmer’s Four Seasons series, Conte de printemps (A Tale In Springtime) is the story of an introverted young girl (Florence Darel) just reaching adulthood who takes a liking to an older woman she meets at a party (Anne Teyssedre) and determines to match her off with her father (Hugues Quester), despite the latter’s already having a lover of his own. There is a certain absurdity to this, apparent to both adults, who though both reluctantly attracted to each other resent Darel’s attempts at matchmaking. Nevertheless, both of them are intelligent enough to understand that there is no ‘proper’ way to meet, and are alive to the possibilities that life brings them. Darel, for her part, is a persistent catalyst. As with all Rohmer films, the stage is set, in an age of increasing impermanence and uncertainty in human relationships, for a series of minimalist reflections on love and life.
A down on their luck couple from South Georgia go on the run to get the money to repay a gambling debt, and decide to film their escapade, in hopes of selling their ‘reality movie’ to Hollywood for a quick buck. However, the danger becomes very real when their misguided foray into drug dealing does not go as planned, and they quickly find out they are in over their heads.
Naïve tourist Twoflower (Astin) is on holiday in Ankh-Morpork when a terrible fire breaks out, forcing him to flee from the city alongside an incompetent wizard named Rincewind (Jason). Now, as the clueless pair set out on a magical journey across the disc, neither realizes that they are merely pawns in an elaborate board game being played by the gods. After encountering a pair of barbarians on their way out of Morpork, Twoflower and Rincewind take a trip to an inverted mountain housing dragons that only exist in imagination, survive a fall off the edge of the disc during a perilous visit to the country Krull, and attempt to beat Rincewind’s former classmate Trymon (Curry) to a collection of eight spells that could save Discworld from total destruction.
Seven women are the only survivors of an Apache attack on a wagon train. They must cross the desert on foot to escape the Indians who are hunting them.
A bizarre fight in a dive bar-laundromat among four New Orleans low-lifes is revisited from each person’s perspective, revealing an intricate web of harrowing, horrific, & hilarious service industry intrigue.
Ferrari Thunderbird Taylor is a foul-mouthed, perpetually buzzed vigilante who, after getting out of rehab, has her heart set on proposing to her boyfriend, Harry Shumway. But when she realizes that the object of her affection is running for South Carolina governor on a platform of seceding from the United States, she races to save her man, if not the entire state, from certain ruin.
