Guitarist Ko-chan is a mess of sexual repression after a childhood at the mercy of two elder sisters eager to use him as a guinea pig for their make-up skills. Bassist Gaku-chan keeps a bucket in the wings for whenever his nerves get the better of him, and drummer Momo-chan is doomed to forever carrying the botched childhood attempts at self-tattooing. It’s not until this foursome is forced to look for an additional guitar player after Jin’s dad burns his Stratocaster, that attitude and musical ability enter into the equation. Leather-clad, shade-wearing Tani (Tamaki), inseparable from his black Les Paul, is introduced as the king of R’n’R cool and Jinnai keeps him firmly seated on his throne throughout the film, retroactively proclaiming the guitarist, rather than himself, as the band’s true hero.

Dr. Hope Connors escaped her stalker and decides to move her family to the suburbs for a fresh start. But when odd signs that her stalker is back start up again she is thrust back into her fear and paranoia.

In the Brazilian countryside, a family straining to care for their bedridden patriarch have their lives changed when a shady nurse offers a diabolical deal: put their elder to rest and host an Argentinian drug kingpin who urgently needs a place to hide.

Based on the award-winning novel by Rusty Whitener, Season of Miracles follows the Robins, an underdog Little League team through their 1974 season with newcomer and autistic baseball savant, Rafer. Team leader Zack takes Rafer under his wing despite taunting from their rivals, the Hawks.

Based on the life stories of the eccentric aunt and first cousin of Jackie Onassis raised as Park Avenue débutantes but who withdrew from New York society, taking shelter at their Long Island summer home, “Grey Gardens.” As their wealth and contact with the outside world dwindled, so did their grasp on reality.

Set in the competitive world of modern agriculture, ambitious Henry Whipple wants his rebellious son Dean to help expand his family’s farming empire. However, Dean has his sights set on becoming a professional race car driver. When a high-stakes investigation into their business is exposed, father and son are pushed into an unexpected situation that threatens the family’s entire livelihood.

Billy has just scored an entry-level position with the local crime cartel. His first job is to mind Jason, a newly released thug with a vicious temper. Jason thinks it’s his job to teach Billy about crime, drugs and women. Little does he know that Billy has his eyes on Jason’s own wife, Lisa. When an ecstasy deal goes bad, Jason vows revenge on the boss, while Billy looks to take out Jason. Before long, bodies start turning up

Novalee Nation is a 17-year-old Tennessee transient who has to grow up in a hurry when she’s left pregnant and abandoned by her boyfriend on a roadside in Sequoyah, Okla., and takes refuge in the friendly aisles of Wal-Mart. In short order, some eccentric, kindly strangers “adopt” Novalee and her infant daughter, helping them buck the odds and build a new life.

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A single mother is swept into a dark underworld, while her teenage son discovers a road that leads him to a secret underwater town.

Although he’s credited only for story, the dialogue has Fuller’s headline punch, and of course newspapering was an alternative universe he knew inside out. A publisher whose once-honest New York tabloid has been ideologically hijacked is aiming to make a course correction. Minutes after saying, “The power of the press is the freedom to tell the truth–it is not the freedom to twist the truth,” he’s a dead man. The rest of the movie deals with the efforts of his old friend, small-town newsman Guy Kibbee, to complete the paper’s redemption. Made in mid World War II, the picture angrily and explicitly likens homegrown demagoguery to Nazism–and its condemnation of media organizations “playing on the prejudices of stupid people” has acquired fresh relevance. Otto Kruger and Victor Jory (“a little Himmler”) supply the villainy, while Lee Tracy steps up to save the day as a casehardened yellow journalist named Griff.

Meet Jack Foley, a smooth criminal who bends the law and is determined to make one last heist. Karen Sisco is a federal marshal who chooses all the right moves … and all the wrong guys. Now they’re willing to risk it all to find out if there’s more between them than just the law. Variety hails Out of Sight as “a sly, sexy, vastly entertaining film.”