Part-thriller, part-nightmarish examination of the widening gap between originality and technology, The Removals imagines where we go from here. A secretive, nefarious agency seeks to control the culture. They do this by covertly staging reproductions of everyday events, and by so doing, undermining the moment’s originality and currency. Society is then left to puzzle over what might be real, and what is fake. The agency employs symbols—like the fascists, like imperial powers of the past—notably a red cone, to plant their flag upon the moment. Two agents, Kathryn and Mason, exhausted by the toll each removal has taken from them, quietly, and then overtly, set out to undermine the agency. Haunting, engaging, and with a ferocity of vision that calls to mind the cerebral thrillers of Shane Carruth, David Lynch, or Andrei Tarkovsky, Nicholas Rombes’s directorial debut is a spellbinding new work and apt analogy for the wormhole where modern social communication leads.

Follows a young man who after his father is murdered starts making bad choices, goes through life-threatening consequences and, of course, gets into guns.

Island of Tahiti. French government official De Roller is a calculating man with impeccable manners, capable of dealing with both high society and the locals he frequents in shady joints.

A group of unlikely companions receive a radio call leading to a deserted house with a grisly past. After exploring the house, the group makes the foolish decision to split up, leading to a trail of death and destruction as the house unleashes its deadly past. Along the way expect severed heads, exploding light bulbs, demonic clown dolls, and creepy children.

Agent Jackie is hired to find WWII Nazi gold hidden in the Sahara desert. He teams up with three bungling women (the 3 stooges?) who are all connected in some way. However a team of mercenaries have ideas on the ownership of the gold. A battle / chase ensues as to who gets there first. Lots of choreographed Kung-Fu and quirky Chan humor.

Thirty years after the events of the first film, a new blade runner, LAPD Officer K, unearths a long-buried secret that has the potential to plunge what’s left of society into chaos. K’s discovery leads him on a quest to find Rick Deckard, a former LAPD blade runner who has been missing for 30 years.

Doctor Channard is sent a new patient, a girl warning of the terrible creatures that have destroyed her family, Cenobites who offer the most intense sensations of pleasure and pain. But Channard has been searching for the doorway to Hell for years, and Kirsty must follow him to save her father and witness the power struggles among the newly damned.

When Grace is accused of playing a role in a deadly accident, her best friend reaches out from beyond the grave to unveil the truth behind what happened.

Joe Gavilan (Harrison Ford) and his new partner K. C. Calden (Josh Hartnett), are detectives on the beat in Tinseltown. Neither one of them really wants to be a cop, Gavilan moonlights as a real estate broker, and Calden is an aspiring actor moonlighting as a yoga instructor. When the two are assigned a big case they must work out whether they want to solve the case or follow their hearts.

A former burlesque dancer turned author (Lena Headey) discovers a second chance at life and redemption when she risks everything to rescue her young neighbor after he witnesses his parents’ murder. Now on the run from the local crime boss (Sam Worthington), who happens to be her longtime ex, she makes a desperate attempt to get the boy to safety.

The comic strip detective finds his life vastly complicated when Breathless Mahoney makes advances towards him while he is trying to battle Big Boy Caprice’s united mob.

A teenage boy is sent to a juvenile reform facility in the wilderness. As we learn about the tragic events that sent him there, his struggle becomes one for survival with the inmates, counselors, and the retired war colonel in charge.