A couple expecting their first child discover an unnerving difference between themselves and the couple living in the flat below them who are also having a baby.
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Boyz n the Hood is the popular and successful film and social criticism from John Singleton about the conditions in South Central Los Angeles where teenagers are involved in gun fights and drug dealing on a daily basis.
When pursuing her dreams leads to a fractured relationship with her mother, a young student angrily leaves home, but soon finds herself the hostage of a deranged criminal who forces her to drive him across the country.
The film wryly expresses the changes in hierarchy, caste and the power equation when water, the most important resource, vanishes and how the oppressed become the oppressors. The story is told through two villages which were split based on caste and money but never through water. In the current situation, through reversals of fortune, the old world order has been broken and water becomes the biggest game changer. It has a domino effect on everything from social order to economics, even love and marriage. The film takes a satirical look at respect for resources, caste divides, and rural life against the backdrop of a traditional love story but all set in a realm where water is the new currency.
A teenager (Derek Rydall) insists he saw a satanist (Allen Garfield) kill the call girl next door, and tries to prove it.
A guy tries to find outside what he is unable to find inside.
A young kid (Pinkston) is forced to live out the lies he told to become popular.
When Danielle decides to do a story on the life of a sex worker to please her boss and lover Peter, she meets Gage a professional gigolo. She quickly becomes interested in his work and starts to see a change in herself and her life.
When a hula dancer on the run crashes into a broken spirit of a man, they begin a journey into a hidden world, developing a connection through humanity, nature, and culture.
Cursed by mischievous deities with a sleep-inducing kiss, Sangui sets out on a journey to find a cure and his long-lost love in Liu Siyi’s debut feature, a distinctive, whimsical and romantic fantasy.
When the Campbell family moves to upstate Connecticut, they soon learn that their charming Victorian home has a disturbing history: not only was the house a transformed funeral parlor where inconceivable acts occurred, but the owner’s clairvoyant son Jonah served as a demonic messenger, providing a gateway for spiritual entities to crossover.
Suffering from acute kidney failure, Boonmee has chosen to spend his final days surrounded by his loved ones in the countryside. Surprisingly, the ghost of his deceased wife appears to care for him, and his long lost son returns home in a non-human form. Contemplating the reasons for his illness, Boonmee treks through the jungle with his family to a mysterious hilltop cave—the birthplace of his first life.
