A shared love of fish leads to a variety of romantic predicaments in this offbeat comedy from writer and director Doris Dörrie. Otto (Christian Ulmen) and Leo (Simon Verhoeven) are two men from Germany who have launched a successful business in which they import koi, the beautiful Japanese fish, for collectors in their native land. While on a business trip to Japan, Otto and Leo meet Ida (Alexandra Maria Lara), a German tourist who is studying fashion design. Ida begins traveling with the two men, and surprisingly develops an infatuation with the rumpled Otto instead of the handsome Leo. When Ida discovers she’s pregnant with Otto’s child, the two marry, and upon their return to Germany, Ida attempts to join in the business by creating a line of scarves decorated with koi patterns. However, the honeymoon proves short-lived, and Ida’s presence creates a rift between Otto and Leo, as the latter sets up his own concern, raising koi with his new bride, Yoko (Young-Shin Kim).

In a small provincial town everything goes well, apart from sports activities. The local soccer team is on the verge of relegation. But the ones responsible with the team are ready to do “everything for soccer”, even match-fixing.

A story about Candy a sex worker and a school teacher.

When a hopeless stag party goes on a mock zombie survival weekend, an unfortunate turn of events leave them fighting for their lives.

Théo and Hugo meet in a club and form an immediate bond. Once the desire and elation of this first moment has passed, the two young men, now sober, wander through the empty streets of nocturnal Paris, having to confront the love they sense blossoming between them. Ducastel and Martineau’s most ambitious film to date and a candid insight into 21st century life.

Yummy is an orgy of blood, violence and fun in which a young couple travel to a shabby Eastern European hospital for plastic surgery. The young woman wants a breast reduction. Her mother comes along for yet another face-lift. Wandering through an abandoned ward the boyfriend stumbles upon a young woman, gagged and strapped to an operating table; she is the result of an experimental rejuvenation treatment. He frees her, but does not realize he just caused the outbreak of a virus that will change doctors, patients and his mother-in-law into bloodthirsty zombies.

Andie is a cardiologist who is devastated by the accidental death of a patient. As she and his grieving mother overcome their sorrow through forgiveness, they learn that acceptance leads to hope.

A sexy model pretends to have a new boyfriend in a wacky plan to make her ex-lover jealous.

Dumped over a video he made to amuse his ailing dad, a heartsick Jérémy hatches an elaborate scheme to win back his superhero-loving girlfriend, Lola.

Adventurous flight attendant Sydney’s plans for a tropical Christmas get delayed when she helps an unaccompanied minor get home to Chicago to her dad Jonathan, a handsome widower and investigative reporter. Faced with a shortage of out-going flights, Sydney is marooned for several days in the Windy City – once her home as a small girl — and tags along with Jonathan, his daughter, and their exuberantly festive family until she can find a connecting flight. Jonathan makes her a deal: he helps her chase down the story of how her late parents met, and she helps him to write the perfect Christmas story and keep his job, and along the way, sparks form between them.

It’s 1649: Mazarin hires the impoverished D’Artagnan to find the other musketeers: Cromwell has overthrown the English king, so Mazarin fears revolt, particularly from the popular Beaufort. Porthos, bored with riches and wanting a title, signs on, but Aramis, an abbé, and Athos, a brawler raising an intellectual son, assist Beaufort in secret. When they fail to halt Beaufort’s escape from prison, the musketeers are expendable, and Mazarin sends them to London to rescue Charles I. They are also pursued by Justine, the avenging daughter of Milady de Winter, their enemy 20 years ago. They must escape England, avoid Justine, serve the Queen, and secure Beauford’s political reforms.

Margot and Marguerite are 12-year-old girls who seem no different from any other youngsters with the usual family and peer problems. While they appear to have similar faces and body shapes, they wear different clothes and hairstyles, but the biggest difference between them is that one lives in 1942 and the other in 2020. When the girls crawled into a wooden chest they were magically sent into each other’s timeline, and because the girls look so similar their family and friends do not notice the swap.