When Miranda Chester sets off to find information on her biological father two Christmases ago, she never imagined her investigation would lead her to both the love of her life, Ian McAndrick, and the family she had always longed for, including Margaret Whitcomb and half-brother Peter Whitcomb. After her romantic engagement last Christmas, Miranda prepares for a Christmas wedding surrounded by this new family. While Miranda finalizes the details of her big day, Margaret forges a surprising romance with a friend from the past. Miranda’s wedding plans are quickly complicated when a mysterious visitor who claims to have ties to her late parents reaches out to her just days before her wedding. As Miranda’s wedding approaches, she must decide if she wants to spend one of the most momentous days of her life with this new family connection, and must carefully navigate the first steps into the next chapter of her life with Ian.

Recently divorced Abigail arrives right in the midst of her parents’ chaotic antics. After a lifetime of dysfunctional hilarity, the family – accompanied by an estranged brother – find it within themselves to embrace for one final goodbye.

Rita is fifteen and spends the summer between warm afternoons of teenage love and party nights with her friend Sara. From Portugal to the South Pacific, the pleasures of this routine will take a turn when the young girl visits the art show of a new neighbor in the local community.

A New York couple and their Midwestern friends find that drastic changes have occurred in their respective lives since they last met.

An upstanding pastor uncovers a dark and twisted underworld as he searches for answers surrounding his daughter’s brutal murder.

The film is dedicated to the first steps of mankind on the path of space exploration and direct the fate of the first cosmonaut Yuri Gagarin. The main motif – the fight for the right to be first: the competition in the first cosmonaut, competition in missile technology, the confrontation of superpowers – the USSR and the USA. In the first group of astronauts were selected from three thousand fighter pilots across the country. In twenty of the legendary got the best of the best. Which of them will fly first, no one knew. In this way, had to contend not only with the pull of the earth …

Turkish director Hasan Karacadag is something of an unusual case. In a nation that appears uncertain how to feel about its own history with exploitation film and generally reluctant to embrace genre film – though there are obvious exceptions – Karacadag has jumped headlong into the horror pool. The director first came to attention with the J-horror influenced D@BB, a surprise hit in Turkey that allowed Karacadag to move on to the more visually ambitious – and effects heavy – effort, Semum. Both film showcased Karacadag’s growing ability to shock and terrify his audiences by taking the rich folklore of his country and pushing it to its dark extremes. And he’s at it again with D@BB: Bir Cin Vakasi. The sequel to his original hit, this latest efforts puts away the Japanese influence in favor of a more Paranormal vibe, but the underlying mythology remains purely regional with the story following a Turkish family whose home is possessed by angry jinns

During the Cultural Revolution, two young men are sent to a remote mining village where they fall in love with the local tailor’s beautiful granddaughter and discover a suitcase full of forbidden Western novels.

As the evil Dr. Saville tortures his latest victim, he weaves together three dark and twisted tales in this horror anthology with a simple warning: be careful what you wish for.

Madsen plays an assassin who’s hired to kill the woman he loves.

A janitor at a small town ski resort, who also happens to be a little person, has his life dramatically change when he finds a stray husky and falls for an exotic dancer.

Sylvia’s work increasingly takes her away from the three men who help bring up Mary, her daughter. When she decides to move to England and take Mary with her, the three men are heartbroken at losing the two most important females in their lives.