During a winter getaway at an isolated cabin, a self-destructive young woman becomes convinced that her best friend is stealing her blood.

Novella McClure is like most struggling actresses in Los Angeles: she’s in her early 30s, her fake name sounded cooler ten years ago, and she hasn’t landed a role in three years. To top it all off, she’s developed a disturbing habit of eating her own flesh. Novella desperately tries to hide her strange condition from her motherly landlord, Eesha, and somewhat psychopathic best friend, Candice, but her body and mind continue to deteriorate in the depressing world of failed auditions and sketchy night clubs. Can a romantic relationship with her psychiatrist prevent her from self destruction? Or will her fatal habit continue to eat away at her?

For almost two thousand years, the story of Jesus’ final days has been celebrated by Christians the world over. From Jesus’ triumphant entry into Jerusalem, through to his eventual crucifixion six days later, the key moments have been immortalized in countless films, pieces of music, and works of art. But in recent years, some historians have begun to question inconsistencies in the Gospels’ version of events. They believe that the Gospels could hide a very different story; one that casts the historical Jesus in an entirely new light. Based on a new interpretation of contemporary historical events in Rome, “Last Days of Jesus” peels back thousands of years of tradition, to explore a new political context to the events in Jerusalem. “Last Days of Jesus” explores how dramatic political events in Rome could have played a crucial role in shaping Jesus’ destiny, and examines an extraordinary political alliance that altered the course of history.

A weekend camping trip turns into a fight for survival.

One man has a plan for a zombie outbreak, when one occurs it will take all his will to stick to it and all of his courage to change it.

Lotus Cat Food is under new management and this time they have improved the recipe even more.

Working largely uncredited in the Hollywood system, storyboard artist Harold and film researcher Lillian left an indelible mark on classics by Alfred Hitchcock, Steven Spielberg, Mel Brooks, Stanley Kubrick, Roman Polanski and many more.

A young family is forced to relocate to the husband’s childhood home and believe they are being terrorized by the ghost of the grandfather who committed suicide there only to find out they are horrifyingly wrong.

When exposure to a combination of radiation and insecticide causes Scott Carey to begin to shrink medical science is powerless to help him.

A new girl in a quiet town, Tess tries to manage her psychosis while adjusting to her new life with her mom. After stumbling upon the shrine of Lucy, a hit and run victim, Tess finds herself overwhelmed by hallucinations of the dead girl and starts to question her sanity again. When the spirit possesses Tess’s mind and soul, mother and daughter are at a loss for where to turn next for salvation: religion or medicine? Both institutions have failed them to date but faith leads them to the house of Sarah, Lucy’s mother, who has been despondent since the accident. All together with time working against them, Sarah is desperate to believe that Lucy is still alive in Tess but neither parent wants to give up on their daughter. Now that she understands what is happening to her, ultimately Tess must decide whether she wants to keep fighting or succumb to her affliction.

The concept of an elevator to space is not new. In the world of Arthur C. Clarke, it is a natural progression. What most people don’t know is that men and women around the world are working hard to build it right this moment. Some want to solve the energy crisis, some want easier access to raw materials in the solar system, and some just want to travel to space and gaze upon their home planet. For all of them though, the elevator is more than just a science fiction plot, it is a way of life. Discover what happens when egos and passions collide in a quest to build the impossible.

This new documentary by the father-and-son directing team of Daniel and Emmanuel Leconte pays tribute to the 11 journalists of the French satirical magazine Charlie Hebdo who were killed in the January 2015 attack by radical Islamic extremists.