A young boy must restore order when a group of bullies steal the magical book that acts as a portal between Earth and the imaginary world of Fantasia.
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After years of missing family gatherings, New York City event planner Whitney Kennison (Tiya Sircar) is off to Chicago to spend Christmas with Grandma Frances (Diane Ladd). Excited that her granddaughter is finally home for the holidays, Frances decides to bestow Whitney with the precious Kennison family Christmas ornaments. But when Whitney mistakenly throws out the box of ornaments, Grandma Frances must stealthily devise a fun Christmas scavenger hunt to remind Whitney what the holiday is all about. It’s a race against time as Whitney reclaims the family ornaments, finds romance and learns the lesson Grandma Frances imparts.
Guddu Ki Gun is the tale of Govardhan aka Guddu (Kunal Kemmu), a Bihari settled in Kolkata. He is a door-to-door washing powder salesman, whose sales pitch is “Ek washing powder ke saath Guddu free”. While sharing a room with his close friend Ladoo (Sumeet Vyas), Guddu leads an amorous lifestyle in Kolkata. His travails begins when he ditches one of his girlfriends, Bholi (Aparna Sharma). Furious for forsaking his granddaughter, Bholi’s grandfather casts a black magic spell on him. The only way Guddu can get rid of the curse is to find true love and by staying faithful to her.
After putting together another Broadway flop, down-on-his-luck producer Max Bialystock teams up with timid accountant Leo Bloom in a get-rich-quick scheme to put on the world’s worst show.
A rock & roll romantic comedy centered on an eclectic group of Greenwich Village East residents, led by the intellectual slacker Dex and the passionate Bohemian rock-star-in-the-making, Max. Their grunge chic New York group’s divergent backgrounds and views serve to highlight how the pursuit of love, in all its forms and manifestations remains the driving force behind our lives, regardless of age, race, culture, religion or sexual orientation. The journey is punctuated by an original, pulsating soundtrack and live band performances by the all girl group MaxiTit and its faithful lesbian following.
Following a wild night out with his Best Man, Rob Anderson wakes up to find himself naked in an elevator on the morning of his wedding day and is forced to relive the morning over and over again.
After the death of his father, a boy growing up on a lunar mining colony takes a trip to explore a legendary crater, along with his four best friends, prior to being permanently relocated to another planet.
A nameless, pill-popping drifter girl steps off a bus and into a New Jersey neighborhood bar owned by two middle-age brothers, Jimmy & Victor. She quickly befriends older brother, Victor––a good-natured lummox whose mind was affected by a childhood accident. The mysterious “Girl” soon upsets the delicate balance of the brother’s lives while bringing both trouble and new life into their resigned world and town.
Mickey Gordon is a basketball referee who travels to France to bury his father. Ellen Andrews is an American living in Paris who works for the airline he flies on. They meet and fall in love, but their relationship goes through many difficult patches. The story is told in flashback by their friends at a restaurant waiting for them to arrive.
Canyoneering is the sport of descending canyons by means of hiking, climbing, rappelling and swimming. Relatively obscure, the sport was brought to the mainstream in 2003 with the news of Aron Ralston who had severed his own arm while trapped in a canyon. Experiencing an overnight spike in popularity by the late 90s – a result of information appearing on the internet – the sport became inundated with thrill-seekers of all backgrounds and skill levels. Facing a new era of off-the-couch recreationalists, three influential participants, a canyoneering instructor, pioneer, and guidebook author each respond to a growing interest in the incredibly dangerous activity. Gorging employs the story of canyoneering to examine larger questions about the pursuit of thrills and the consequences that follow.
