More of a film essay – of the type pioneered by Orson Welles and Chris Marker – than a standard documentary, German filmmaker Lutz Dammbeck’s The Net: The Unabomber, the LSD and the Internet begins with the typical format and structure of a nonfiction film, and a single subject (the life and times of mail bomber Ted Kaczynski). From that thematic springboard, Dammbeck branches out omnidirectionally, segueing into a series of thematic riffs and variants on such marginally-related subjects as: the history of cyberspace, terrorism, utopian ideals, LSD, the Central Intelligence Agency, and Cuckoo’s Nest author Ken Kesey and his Merry Pranksters.
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Ancient oceans teeming with life, Norwegian settlers, Native Americans and multinational oil corporations find intimacy in deep time. Following up his 2009 feature Crude Independence (SXSW), Deep Time is director Noah Hutton’s ethereal portrait of the landowners, state officials, and oil workers at the center of the most prolific oil boom on the planet for the past six years. With a new focus on the relationship of the indigenous peoples of North Dakota to their surging fossil wealth, Deep Time casts the ongoing boom in the context of paleo-cycles, climate change, and the dark ecology of the future.
portrays the Bruder working class family, whom she met during her time as a social worker in the Märkisches Viertel. Equipped with a Super-8 camera by Helga Reidemeister, the family had already begun filming their everyday life independently in the fall of 1969. However, when, together with Reidemeister, they looked through the four-hour material at the editing table in the summer of 1974, they realized that it depicted the family’s problems only superficially and left the social context out of the picture. Reidemeister, who had not yet intervened in the film shooting, then spent a lot of time with the family and documented everyday life together with them. The result was a multi-layered mixture of family self-testimony and reflection on social relationships.
The story of how three oddball teenage bluesmen became one of the biggest, most beloved bands on the planet.
The life and career of an actor, artist, and icon. His own journey through his own camera.
Two top baseball prospects in the Dominican Republic face fierce competition and corruption as they chase their big league dreams.
Brenda Emmanus explores the art collection of Charles I, much of which is being reunited for a unique exhibition for the first time since his execution. Brenda hears the stories behind the works of art and learns how the collection was sold off by Parliament following Charles’s death.
An exploration of the perils of nationalism and art’s role as a weapon of resistance and activism throughout the 1990s Siege of Sarajevo during the Bosnian War. Explore how art and music sustained hope, thanks in part to humanitarians and the band U2.
TIME FOR ILHAN shadows Ilhan and her scrappy group of dedicated campaign staffers throughout the entire 2016 Minnesota House of Representatives campaign’s dramatic uphill battle, as Omar, a Somali-American woman, attempts to unseat a 43-year incumbent and other challengers.
Shaquille O’Neal presents funnyman and actor Faizon Love as he takes on hosting duties for the latest installment of ALL-STAR COMEDY JAM. This time around, NBA All-Star and celebrity personality Shaquille O’Neal has handpicked some of stand-up comedy’s funniest up-and-coming talents and paired them with veterans of the comedy stage.
Digital Dissidents are the warriors of the digital age: republican patriots, radical anarchists and cyber-hippies fighting side by side for transparency and privacy in a digital world which is permeating our lives more and more. For this they are imprisoned, live in exile, and have lost careers and families. Why do they do it? What motivates them? What are they warning us about?
To mark the ten year anniversary of her death, Amy Winehouse’s closest family and friends reveal the truth about the music icon and the impact that her loss has had on them. With access to never-before-seen family archives and rare musical performances, this highly personal and powerful account of the life and death of one of Britain’s best-loved musicians offers a new interpretation of her life, her loves and her legacy.
A feature length documentary shot in Iceland on mediums and the relationship between humans and invisible beings such as elves ghosts, angels, water monsters and extra-terrestrials. The film is a journey to the frontiers of life questioning the scope of our existence. Are we alone in the universe? If life exists in other dimensions, it’s worth knowing more.