The daughter of a prominent medieval Norway landowner, Kristin grows up in total harmony with the ideals of the time: strong family ties, social pride and devout Christianity. As she accepts the fact that she has been arranged to marry the son of another landowner, Kristin’s beauty, innocence and purity evokes violent emotions around her: envy, lust, murder, revenge. She seeks refuge in a convent, awaiting marriage. Here, the passion of her life strikes, the knight Erlend Nikulaussonn. However, their love cannot be private, and suddenly Kristin is the centre of a scandal.

After the death of her mother, a teenage girl is faced with bizarre supernatural occurrences when her mother’s estranged sister arrives and begins to infiltrate her and her father’s lives.

Three recent high school grads – star athlete Hancock, his cheerleader girlfriend, Mary, and the awkward Senator – aim to leave their small town behind and realize big dreams, but their idealistic plans collide with life’s harsh realities.

Melvin, a reluctant hero who is far from super, has been suppressing his telekinetic powers for years with booze, drugs, and women. In the process, he has failed at practically everything, most of all as a parent to his son. After a brush with death, Melvin decides to use his powers for good and clean up the streets of New Orleans with the help of his best friend/definitely-not-a-sidekick, Lucille. For a man who can do the impossible, it might be a fight even he can’t win.

While grieving for the loss of their mother, the Connolly sisters suddenly find they have a crime to cover up, leading them deep into the underbelly of their salty Maine fishing village.

The epic emotional journey of a suburban African-American family — led by a well-intentioned but domineering father — as they navigate love, forgiveness and coming together in the aftermath of a loss.

Marcus Burnett is a hen-pecked family man. Mike Lowry is a foot-loose and fancy free ladies’ man. Both are Miami policemen, and both have 72 hours to reclaim a consignment of drugs stolen from under their station’s nose. To complicate matters, in order to get the assistance of the sole witness to a murder, they have to pretend to be each other.

Music Teacher revolves around Alyson Daley (Potts), a high school music teacher who is on the brink of losing her beloved school music program because of district budget cuts. In an effort to spare the program, Daley’s former students band together to stage a musical to raise money to keep the program alive.

Disney Channel’s production of Julie Sherman Wolfe’s screenplay adaptation of the popular novel Avalon High by Meg Cabot. Elaine “Ellie” Harrison has just moved from Minnesota to Annapolis, Maryland while her parents take a year long sabbatical to continue their medieval studies in nearby DC. Her new high school, Avalon High, seems like a typical high school with the stereotypical students: Lance the jock, Jennifer the cheerleader, Marco, the bad boy/desperado, and Will, the senior class president, quarterback, and all around good guy. But not everyone at Avalon High is who they appear to be, not even Ellie herself. Eventually, it becomes apparent that Avalon High is a situation where the ancient Arthurian legend is repeating itself. Will, Jennifer, Lance, Marco, and Mr. Morton all correspond to King Arthur, Queen Guinevere, Knight Lancelot, Mordred, and Merlin, respectively.

‘The Marathon’ is a feature film which contains humour in combination with impressive drama. The garage of four jass playing, smoking and beer drinking mechanics is threatened to be closed. The ‘genius’ idea to run the marathon of Rotterdam while being sponsored seems to be the only solution. The condition of the sponsor deal; making it to the finish line. However, training is difficult for the hedonists and it changes relationships, and even their future. Are all the efforts worth the fight when their seems to be more to it then just making it to the finish line…?

Although he’s credited only for story, the dialogue has Fuller’s headline punch, and of course newspapering was an alternative universe he knew inside out. A publisher whose once-honest New York tabloid has been ideologically hijacked is aiming to make a course correction. Minutes after saying, “The power of the press is the freedom to tell the truth–it is not the freedom to twist the truth,” he’s a dead man. The rest of the movie deals with the efforts of his old friend, small-town newsman Guy Kibbee, to complete the paper’s redemption. Made in mid World War II, the picture angrily and explicitly likens homegrown demagoguery to Nazism–and its condemnation of media organizations “playing on the prejudices of stupid people” has acquired fresh relevance. Otto Kruger and Victor Jory (“a little Himmler”) supply the villainy, while Lee Tracy steps up to save the day as a casehardened yellow journalist named Griff.

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