Made in 1982, shelved for five years. Story opens with Lucja Krol’s husband under the tram. She gives birth to her fourth son on the floor of their new apartment. Neighbor Wiktor, a communist intellectual, befriends the poverty-stricken family but is soon arrested and sent to jail. During the war Lucja narrowly escapes a Nazi roundup at the black market. Her sons hold ardent Communist meetings in their apartment, with her blessing. Lucja works hard, but without complaint. After the war, Klemens is inexplicably arrested, accused by the new regime of being a collaborator. Wiktor, now a high-ranking party member, trying to defend him, himself falls into disgrace. Klemens is tortured to “confess” and dies in jail, a Communist to the end. Lucja is never told about his fate.

Samantha Hughes, a teenaged Kentucky girl, never knew her father, who died in Vietnam before her birth. Samantha lives with her uncle Emmett, who also served in Vietnam. Emmett hangs around with Tom, Earl, and Pete, three other Vietnam vets who, like Emmett, all have problems of one kind or another that relate to their war experiences. Samantha becomes obsessed with finding out about her father.

During the War of 1812 against Britain: General Andrew Jackson has only 1,200 men left to defend New Orleans when he learns that a British fleet will arrive with 60 ships and 16,000 men to take the city. In this situation an island near the city becomes strategically important to both parties, but it’s inhabited by the last big buccaneer: Jean Lafitte. Although Lafitte never attacks American ships, the governor hates him for selling merchandise without taxes – and is loved by the citizens for the same reason. When the big fight gets nearer, Lafitte is drawn between the fronts. His heart belongs to America, but his people urge him to join the party that’s more likely to win.

France, 1940. In the first days of occupation, beautiful Lucile Angellier is trapped in a stifled existence with her controlling mother-in-law as they both await news of her husband: a prisoner of war. Parisian refugees start to pour into their small town, soon followed by a regiment of German soldiers who take up residence in the villagers’ own homes. Lucile initially tries to ignore Bruno von Falk, the handsome and refined German officer staying with them. But soon, a powerful love draws them together and leads them into the tragedy of war.

This documentary movie is about the battle of San Pietro, a small village in Italy. Over 1,100 US soldiers were killed while trying to take this location, that blocked the way for the Allied forces from the Germans. Preserved by the Academy Film Archive in 2005.

When two brothers are forced to fight in the Korean War, the elder decides to take the riskiest missions if it will help shield the younger from battle.

This is only the second Audie Murphy movie set in WWII after his autobiographical “To Hell and Back.” Here Murphy steps out of his usual kid-Western role to play a civilian working for the Navy helping supply guerilla insurgents in the Philippines. His sole motive is not politics nor bravery, but to find his bride from whom he was separated during the Japanese invasion two years before

In World War I London, Myra is an American out-of-work chorus girl making ends meet by picking up men on Waterloo Bridge. During a Zeppelin air raid she meets Roy, a naive young American who enlisted in the Canadian army. After they fall for each other, Roy tricks Myra into visiting his family, who live in a country estate outside London, his mother having remarried to a retired British Major. Myra is reluctant to continue the relationship with Roy, he not aware of her past.

USSR, Late November, 1941. Based on the account by reporter Vasiliy Koroteev that appeared in the Red Army’s newspaper, Krasnaya Zvezda, shortly after the battle, this is the story of Panifilov’s Twenty-Eight, a group of twenty-eight soldiers of the Red Army’s 316th Rifle Division, under the command of General Ivan Panfilov, that stopped the advance on Moscow of a column of fifty-four Nazi tanks of the 11th Panzer Division for several days. Though armed only with standard issue Mosin-Nagant infantry rifles and DP and PM-M1910 machine guns, all useless against tanks, and with wholly inadequate RPG-40 anti-tank grenades and PTRD-41 anti-tank rifles, they fight tirelessly and defiantly, with uncommon bravery and unwavering dedication, to protect Moscow and their Motherland.

Before the war, a Fleet Air Arm pilot is dismissed for causing the death of a colleague. Working for a small Greek airline when the Germans invade Greece, he gets a chance to redeem himself and rejoin his old unit on a British carrier. This is regarded the last of the conventional, rather stiff 1930’s style Ealing war films, to be succeeded by much more realism and better storytelling.

This exceptional, disturbing, and thought-provoking two-part documentary compares the atrocities committed by the Nazis as revealed during the Nuremberg trials to those committed by the French in Algeria and those done by the Americans in Vietnam. The four-hour epic questions the right of any country to pass self-righteous moral judgements upon the actions of another country. Preserved by the Academy Film Archive in partnership with The Film Foundation.

Compton Bennett’s war drama The Gift Horse follows the fortunes of ageing destroyer The Ballantrae and her crew from the time they come together in 1940 until the climactic raid on occupied St Nazaire in 1942. Trevor Howard plays Lt Cmdr Hugh Alginon Fraser, the newly appointed captain, back in service after having left the navy following a court martial.