Zara, a phony psychic in a Hungarian carnival who, under the guidance of a Svengali-like con man crashes — and proceeds to swindle — American high society.
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A Special Jury Award winner at the Sundance Film Festival, this drama stars a then-19-year-old Matty Rich (who also wrote and directed it). Rich plays Larry, a troubled teen living in the rough Red Hook section of Brooklyn who decides he wants out and turns to crime to fund his escape. But his plan involves scamming the neighborhood’s biggest drug kingpin, a heist that’s dangerous at best.
Hired to enact revenge on a man who savagely beat a beautiful Russian débutant, Jack Verlaine is pressed between his newly acquired job and a persistent man named, Brill, who offers him a chance to advance higher in his seedy career. But when an estranged lover reappears in Verlaine’s regimented existence, he soon realizes the new elements in his life may be just a plot to uncover his true identity.
An old lover gentleman, Joe receives a ride in order to go back home on time for his perfect wedding anniversary from a good Samaritan, Bob who turns out to be an undercover police officer. Joe enjoys the day with his lover, until Bob fixes and brings him back the car, but he is the last one Joe wants to see at his door. What is Joe hiding? Bob is truly concerned, but his concern could turn Joe’s whole life upside down.
Amelia Lewis (Vanessa Lachey) is super excited when she buys an available storefront, planning to open a year-round Christmas shop. But her celebration comes to a screeching halt when she discovers that Vic Manning (Ryan McPartlin) has also bid on the property. Amelia and Vic have the same idea, get to the seller–Elder Dubois (Patrick Duffy) in the next town–and convince him to sell his space to them. Despite the holidays, Elder is down in the dumps. It’s the first Christmas without his wife, and he’s in no mood to chair the decoration committee for the “Battle of the Main Street” yearly holiday competition with the neighboring town. Hoping to win favor with Elder, Amelia and Vic volunteer to take over his duties. After continually bickering and trying to one-up each other, the two combatants learn to work together and even get the merchants on Main Street to put aside their differences for the greater good.
“Without Grace” is a romantic drama with a faith based undercurrent. Based on a true story of heartbreak and triumph, “Without Grace” tells the story of Lucas as he embarks on a journey filled with lost love, lost faith and three best friends who refuse to give up on him.
The South African multi-award winning film about a young South African boy from the ghetto named Tsotsi, meaning Gangster. Tsotsi, who left home as a child to get away from helpless parents, finds a baby in the back seat of a car that he has just stolen. He decides that it his responsibility to take care of the baby and in the process learns that maybe the gangster life isn’t the best way.
The story of a middle-aged woman with small children whose life is shaken up when two free-spirited twenty-somethings move in across the street.
Sallah Shabati, the patriarch of the big family recently arrived to Israel from Yemen, tries to make money and get better housing, in a country that can barely provide for its own and is in the midst of absorbing hundreds of thousands of Jewish refugees from Arab countries.
Peter and Margaret Eastwood believe they’ve purchased their dream home to start their lives together but this house seems to be hiding something dark and terrifying in every corner.
A love triangle between a pioneer female writer; her husband -a retired military official-and the love of her life, the painter Moritz Rugendas, with whom she maintains an epistolary relationship for 10 years, with few personal encounters.
A Bridge Too Far tells the story of Operation Market Garden, the failed attempt by the allies to end the war quickly by securing three bridges in Holland and allowing access over the Rhine into Germany. A combination of poor allied intelligence and the presence of two crack German Panzer divisions meant that the final part of this operation (the bridge in Arnhem over the Rhine, the titular ‘bridge too far’) was doomed to failure.
