A remarkably intimate portrait of an artist on tour navigating identity, family, expectations, and acceptance, all while reflecting on his place within the legacy of Black, queer performers.

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The story takes place at the College of Music, Mahidol University over one year and covers the three seasons that Bangkok typically experiences – summer, winter and monsoon.

Audrey Roth brings three unidentified cheerleaders to Rogersandapos; television house. In the Neighborhood of Make-Believe, Cornflake S. Pecially must juggle both tasks for Miss Paulifficate and a gift for Prince Tuesday.

An inside look as the 38-year-old prepares to perform at the famed Bridgestone Arena in his hometown of Nashville, featuring never-before-seen tour footage and interviews with the musician and those closest to him. It also shows how Jelly Roll balances life on tour with philanthropic work, including a visit to a juvenile detention facility where he was incarcerated multiple times to share his story in the hopes of inspiring positive change in others.

Katyar Kaljat Ghusli is a 2015 Marathi film based on a play by the same name. Directed by Subodh Bhave, the film stars Sachin Pilgaonkar, Shankar Mahadevan, and Subodh Bhave in lead roles. The film marks the acting debut for Mahadevan and directorial debut for Bhave. The original play premiered in 1967 in Mumbai, where Hindustani classical vocalist Vasantrao Deshpande played one of the protagonists. In 2010, the play was relaunched with protagonists essayed by Rahul Deshpande, grandson of Vasantrao Deshpande and singer Mahesh Kale. The film’s music is composed by Shankar–Ehsaan–Loy, and retained some of the songs from the original play composed by Jitendra Abhisheki.

At the downbeat of the new millennium there was no bigger, darker, or more deeply influential hard rock band in the world than KoRn. But for lead guitarist Brian Head Welch, a dream come true was giving way to a raging nightmare of self-loathing and addiction. At the end of himself, he made an even harder decision than leaving KoRn. Told with intimate access to the family and band, this genre-bending documentary delivers unprecedented access to one of rock’s most unbelievable stories of restoration.

The life of Ryszard Riedel, former leader of cult Polish rock-blues band Dzem, including the history of his family relationships, music career and addiction to alcohol and drugs.

Do you look back on the optimism of the 1997-2001 era as a lost golden age, or do you see it as a period of naïvety, delusion and folly? There’s a lot of nostalgia for the nineties at the moment, especially from people too young to remember it who see the decade as a simpler, pre-internet time. Modern nostalgia often draws on corporate American-90s mall culture, but what about British culture? With I’ve Been Trying To Tell You – made to accompany the Saint Etienne album of the same name – director Alasdair McLellan evokes the era through the fog of memory. The resulting film, shot in locations from Grangemouth to Portmeirion to Southampton, is both beautiful and enveloping.

Two former backup soul singers, Louis and Floyd, have not spoken to each other in 20 years, and reluctantly agree to travel across the country together to a reunion concert to honor their recently-deceased lead singer. Cleo, a beautiful young woman who is believed to be Floyd’s daughter, accompanies them as a new singer.

Karchy (Brad Renfro) is a boy in school who has moved from Hungary to America in the 1960’s. He is struggling in school and trying to adjust to America’s culture. He then hears about a radio DJ Billy Magic (Kevin Bacon) who holds a contest for a Student Hall of Fame every week. When Karchy finally wins after several weeks, he spends more time with Billy Magic…a man with money, girls, and glam. Karchy thinks that by spending time with Magic, he can become “cool”. He then starts telling lies, to make himself seem greater than he really is. But when his lies begin hurting the people he cares about, he realizes that it isn’t worth telling lies if it affects your friends. Afterwards, he learns to accept himself for the person he is, and gives up lying. And as for Billy Magic, it turns out that he pays his price for all the lies that he has told as well.

Stan and Ollie try to deliver the deed to a valuable gold mine to the daughter of a dead prospector. Unfortunately, the daughter’s evil guardian is determined to have the gold mine for himself and his saloon-singer wife.