In an attempt to win back the public’s interest, has-been Hong Kong film star Lau Wai-chi makes a comeback film with a major director. To prepare for his role as a peasant farmer in the 1960s, he travels to the mainland China countryside to experience rural life there, but his arrogance triggers a series of farces.
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Two Chinese girls take a film transcription job at a heritage English countryside mansion. Discovering entangled family secrets about the Kunqu Opera star Susu, they find it almost impossible to escape, physically and emotionally.
2020: A year so [insert adjective of choice here], even the creators of Black Mirror couldn’t make it up… but that doesn’t mean they don’t have a little something to add. This comedy event that tells the story of the dreadful year that was — and perhaps still is? The documentary-style special weaves together some of the world’s most (fictitious) renowned voices with real-life archival footage.
A film about the life and career of the early rock and roll star.
Sam is an emotionally reserved college freshman going through a very rough time. But when a tragedy occurs, he learns to express himself clearly.
In 1946 North Africa, two former US Air Force pilots are forced to work for an international smuggler to get money needed for their return to civilian life after fighting in World War II.
After a painful breakup, Ben develops insomnia. To kill time, he starts working the late night shift at the local supermarket, where his artistic imagination runs wild.
Buenos Aires movie director, very fond of the legend of the King of Patagonia and Araucania, decides to make a movie about it. Despite of financial troubles, technical problems, misfortune and desertions, he undertakes the journey to Patagonia for the film with a second-rate actor company. Neglected by the producer and shortly after by the company, he will make the movie alone, in a surreal landscape like mad.
Comedian Jim Breuer returns to EPIX for his second hour-long special, taped in front of a home crowd at the Paramount Theater in Long Island, New York. As he inches closer to 50, Breuer focuses his own absurd lens on the circle of life-from the hilarious indignities of getting older to the perils of parenting.
CEO of the Morton Pumpkin Company decides to commemorate the 200th anniversary of the cutest town ever founded with a bake-off. The town sweetheart is expected to win. When her niece is left to stay, winning seems out of reach.
A devoted young woman becomes ensnared in a web of sexuality and betrayal in Jean-Pascal Hattu’s consistently unpredictable and finely wrought character study. A vividly realistic psychosexual drama, the film’s sharp emotional honesty heralds a distinct new voice from a promising young director. Hattu soon reveals that Maite’s husband Vincent is in prison for an unspecified crime, and that she has promised to wait for him and attend to his laundry (if not his conjugal needs) during his incarceration. On one of her weekly visits, Maite meets Jean, an oddly inquisitive and boldly flirtatious prison warden, and soon the two commence a joyless affair. Seemingly smitten with Maite, Jean, in a gesture of kindness to his lover, eases up on her husband behind bars; the two become pals and even engage in some homoerotic shower talk. —Robert O’Shaughnessy
