Johnny is a high-powered executive who is definitely not looking to fall in love but a business conference takes her to wine country she meets a handsome widower Andrew who invites Johnny to meet his family after she loses her job. In helping his parents’ winery she begins to fall in love with him and his family but when she gets offered another job she has to chose between her career or Andrew

Félicité, a strong and proud woman, sings in bars in Kinshasa. She drifts away from reality when her 14-year-old son gets into an accident. In electric Kinshasa, she wanders in a world of music & dreams… until love unexpectedly brings her back to life.

The film is a lyrical exploration of a particular family situation and the human relationships within it. Devoid of any moral judgment, the eye of the director studies the boundaries of human behaviour and explores how far an individual can go, driven by love and the spirit of survival. Andrea Pallaoro was born in Trento but at the age of 17 moved to California to study filmmaking. His short film Wunderkammer was presented at the Sundance Film Festival. This year he brings his first feature-length film to the Orizzonti section.

Homeless and on the run from a military court martial, a damaged ex-special forces soldier navigating London’s criminal underworld seizes an opportunity to assume another man’s identity, transforming into an avenging angel in the process.

A teenage boy’s infatuation with a woman he sees on the bus further complicates his already tumultuous adolescence.

November 1963, London. An East End slum landlord with a reputation for protecting the morally abhorrent is assigned the unenviable task of chaperoning a vision-plagued Catholic Nun to her mission in Paris.

Story revolves around a young boxer, Izzy Daniels, who trains to follow in his father’s footsteps by winning the Golden Glove. When his friend, Mary, however, asks him to substitute for a team member in a Double Dutch tournament, the young man discovers a hidden passion for jump roping

Realistic story of working class Yorkshire life. Two schoolgirls have a sexual fling with a married man. Serious and light-hearted by turns. Rita, Sue And Bob Too was adapted by Andrea Dunbar from two of her own controversial plays. Rita (Siobhan Finneran) and Sue (Michelle Holmes) are two teenagers living on a run-down council estate in Bradford who both share a job babysitting for Bob (George Costigan) and Michelle’s (Lesley Sharp) children. Whilst giving them a lift home one night, Bob decides to take Rita and Sue up to a deserted, country-side landscape. Clearly knowing what he has in mind, Rita and Sue are only too happy to oblige and both have a sexual encounter with him that becomes a regular occurrence. Despite the blatant politically-incorrect nature of the film, this does emerge as a somewhat controversial, though enduringly amusing film that has a sharp, gritty undertone.

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The epic tale of a mother and her daughter.

Portrait of Jake Bickelhaupt from his underground restaurant, Sous Rising, to his 2 Michelin star winning restaurant, 42 Grams.

Jubal Troop is a cowboy who is found in a weakened condition, without a horse. He is given shelter at Shep Horgan’s large ranch, where he quickly makes an enemy in foreman Pinky, a cattleman who accuses Jubal of carrying the smell of sheep.