Kingdom of Bhutan, 2006. Modernization has finally arrived. Bhutan becomes the last country in the world to connect to the internet and television, and now the biggest change of all: democracy. To teach the people how to vote, the authorities organize a mock election, but the locals seem unconvinced. Travelling to rural Bhutan where religion is more popular than politics, the election supervisor discovers that a monk is planning a mysterious ceremony for the election day.
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When stricken with a terminal disease, Young-su leaves his careless high life in the city, live-in girlfriend and dwindling business. He retreats to a sanatorium in the countryside in order to treat his illness, where he meets a young woman who is a resident patient there. Soon they develop feelings for each other and leave the sanatorium together to live in a small but cozy farm house. Their health improves dramatically but when Young-su’s friends from the city come for a visit, he starts to wonder if he should abandon mundane rural village and return to his former lifestyle.
Tito is a shy 10-year-old boy who lives with his mother. Suddenly, an unusual epidemic starts to spread, making people sick whenever they get scared. Tito quickly discovers that the cure is somehow related to his missing father’s research on bird song. He embarks on a journey to save the world from the epidemic with his friends. Tito’s search for the antidote becomes a quest for his missing father and for his own identity.
Don Vito Leoni, the Godfather, is clinically depressed. The world has changed and he hasn’t. He’d like to retire, but if he left the “family business” to his two idiot sons, they’d be dead in a minute. So he decides to go legit, which convinces everyone that he must be completely off the deep end. To preserve their cushy lives, his dysfuntional family conspires to get him some psycho-therepy. So his boys kidnap a “piasan” shrink and order him to “fix” their father. This film, which premired on Showtime, pre-dated the very similarly plotted “Analyze This” by over a year.
“Fanny” is the second part of the “Marseille trilogy”, made by Marcel Pagnol with the generic name of “Marius, Fanny and César”. Fanny falls in love and is abandoned by Marius. Now she discovers she is pregnant. Her mother and Marius’s father, César, persuade her to accept the romantic advances of a much older man. To save face, Fanny accepts to marry Honoré Panisse, a rich merchant of the Vieux Port, 30 years her senior who will recognize her son.
As the Second World War breaks out, German freighter captain Karl Ehrlich is about to leave Sydney, Australia with his vessel, the Ergenstrasse. Ehrlich, an anti-Nazi but proud German, hopes to outrun or out-maneuver the British warship pursuing him. Aboard his vessel is Elsa Keller, a woman Ehrlich has been ordered to return to Germany safely along with whatever secrets she carries. When Ehrlich’s fiercely Nazi chief officer Kirchner commits an atrocity, the British pursuit becomes deadly.
Undiagnosed, untreated and generally untethered schizophrenic Julien lives with his pregnant younger sister Pearl, anorexic would-be wrestler brother Chris, sympathetic grandmother, and severely depressed German father.
Manager Marletti goes to the sea to meet his wife Giuliana to spend the weekend with her and many friends. After three days Marletti comes back driving his car to Rome. So he can sleep, alone and happy, with silence around him.
Sasha leads a busy, comfortable life with a family and career. Clint is a top real estate agent and investor who harbors a methodical dark side. Their worlds collide when a chance encounter on a traumatic flight leads to a deadly obsession.
The Templeton brothers — Tim and his Boss Baby little bro Ted — have become adults and drifted away from each other. But a new boss baby with a cutting-edge approach and a can-do attitude is about to bring them together again … and inspire a new family business.
