The film focuses on the tumultuous romance in the lives of four women in The Hague. Teenage daughter Eva, her mother Judith, aunt Barbara and older sister Anna make it under one roof Hague together a nice game of. They are beautiful, courageous and sensible, but sometimes they just do not know in a world full of tender love, serial dating, slaked lust, affairs, children’s desires and indestructible old loves.

The story of two queens who set out to create a classic Christmas TV variety show, but just can’t agree on how. DeLa tries her hardest to uphold the cheery Christmas traditions of her childhood. Meanwhile, Jinkx is much more interested in bawdy jokes, cute boys, and boozy libations.

After a woman jumps in front of a truck to save her daughter’s life, she wakes up in the hospital in a seemingly alternate reality where everyone and everything in her life are different, including her own name.

From his village in northern Senegal, Yao is a 13-year-old boy ready to do anything to meet his hero: Seydou Tall, a famous French actor. Invited to Dakar to promote his new book, the latter goes to his country of origin for the first time. To fulfill his dream, the young Yao organizes his fugue and brave 387 kilometers alone to the capital. Touched by this child, the actor decides to flee his obligations and to accompany him home. But on the dusty and uncertain roads of Senegal, Seydou understands that while rolling towards the village of the child, it also rolls towards its roots.

A waitress and expert pie-maker dreams of a way out of her small town and rocky marriage.

It takes BALLS to win. At least that’s what the local bowling clubs in idyllic Warroad, Minnesota used to say, before Emily came along. Now that she has returned to resurrect her name on the champion’s board, Gunnar and the boys in town are polishing up their equipment for another shot at the title. This screwball ensemble mockumentary captures Emily’s return from retirement, to avenge her loss to Gunnar, and bring justice to her family name. It’s gutter-ball madness where split happens.

Marisa Ventura is a struggling single mom who works at a posh Manhattan hotel and dreams of a better life for her and her young son. One fateful day, hotel guest and senatorial candidate Christopher Marshall meets Marisa and mistakes her for a wealthy socialite. After an enchanting evening together, the two fall madly in love. But when Marisa’s true identity is revealed, issues of class and social status threaten to separate them. Can two people from very different worlds overcome their differences and live happily ever after?

Each Christmas Eve, the Ghost of Christmas Present selects one dark soul to be reformed by a visit from three spirits. But this season, he picked the wrong Scrooge. Clint Briggs turns the tables on his ghostly host until Present finds himself reexamining his own past, present and future.

The apparent vertical scratch in celluloid that opens Presents literally opens into a film within the film. When its figure awakens into a woman in a ‘real’ unreal set, the slapstick satire of structural film begins. It is not the camera that moves, but the whole set, in this first of three material ‘investigations’ of camera movement. In the second, the camera literally invades the set; a plexiglass sheet in front of the dolly crushes everything in its sight as it zooms through space. Finally, this monster of formalism pushes through the wall of the set and the film cuts to a series of rapidly edited shots as the camera zigzags over lines of force and moving fields of vision in an approximation of the eye in nature. Snow pushes us into acceptance of present moments of vision, but the single drum beat that coincides with each edit in this elegaic section announces each moment of life’s irreversible disappearance.

Camp Blood is under new ownership as the updated “Camp Blackwood”. Locals hope to bury the infamous clown killer’s past, and release the victims from their torment. But when a pastor with ties to the previous grounds takes his church group out to make contact with restless spirits, wrath is all they are doomed to find. The clown killer is back, and this time he has an enemy of equal evil. His former cult followers have turned, as well as a vengeful witch, who will stop at nothing to see these titans of terror collide, and destroy anyone in their path.

Don Juan arrives in Tallinn and soon the gossip spreads like wildfire. The local women trip over themselves to be seduced by him; the men race to defend their honor by challenging him to a duel. What no one knows is that Don Juan is a woman in disguise.

In Lyon, where many are unemployed, Marie is a prostitute who loves her work: she’s thoughtful and exuberant toward clients old and young, slim or flabby. One night, a homeless man sleeps in the foyer of her apartment house; she gives him a hot meal, then a place on the floor to sleep by her radiator, then she offers herself. She falls in love, giving him new life, clothes, a place to live. When he grouses that he must bar hop while she uses the flat for her work, she finds them a larger flat. He grows restless, seducing a manicurist and pressing her to prostitution. He’s arrested for procuring, so Marie must decide what to do; he, too, must face the consequences of his choices.