The Minus Man is a 1999 film based on the novel by Lew McCreary. It was directed by Hampton Fancher, who also wrote the screenplay. The film centers on a psychotic killer whom Fancher describes as “a cross between Psycho’s Norman Bates, Melville’s Billy Budd and Being There’s Chauncey Gardner”
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A devoted young woman becomes ensnared in a web of sexuality and betrayal in Jean-Pascal Hattu’s consistently unpredictable and finely wrought character study. A vividly realistic psychosexual drama, the film’s sharp emotional honesty heralds a distinct new voice from a promising young director. Hattu soon reveals that Maite’s husband Vincent is in prison for an unspecified crime, and that she has promised to wait for him and attend to his laundry (if not his conjugal needs) during his incarceration. On one of her weekly visits, Maite meets Jean, an oddly inquisitive and boldly flirtatious prison warden, and soon the two commence a joyless affair. Seemingly smitten with Maite, Jean, in a gesture of kindness to his lover, eases up on her husband behind bars; the two become pals and even engage in some homoerotic shower talk. —Robert O’Shaughnessy
Isolated in his austere penthouse overlooking Central Park, obsessive Wall Street data analyst Richard Boca sees ominous patterns. His computer models are behaving erratically, as are the swarms of mosquitos breeding in his apartment, an infestation that attends his psychological meltdown.
In 1666, a colonial town is gripped by a hysterical witch-hunt that has deadly consequences for centuries to come, and it’s up to teenagers in 1994 to finally put an end to their town’s curse, before it’s too late.
Set in Edwardian England where upper lips are always stiff and men from the Colonies are not entirely to be trusted, Fisk Senior has little time or affection for his son, but when the pair visit an eccentric Indian, they start a strange journey that eventually allows the old man to find his heart.
My Stupid Boss recounts the story of an absurd boss and his employees. Bossman (Reza Rahadian) is an Indonesian who owns a company in Kuala Lumpur. A large but disorganized company. The culprit for the disarray in the organization is the bossman himself. His first principle of management is that Bossman Is Always Right. Which means whatever the Bossman fancies, he’ll get it done. And that is his following principle: Impossible We Do Miracle We Try. In the midst of this is Diana, the Bossman’s secretary, who has to juggle at every turn with the odds that never seem to add up in the company. Diana’s daily confronted with her boss’s antics and her patience and good sense are all put to the test.
A shiftless dreamer, Michael Rogers (Hywel Bennett) fantasizes about a lifestyle above his means and marries a wealthy, young girl, Ellie Thomsen (Hayley Mills) who just came of age. They hire a famous architect to build their dream home amidst a series of suspicious incidents. The spouse has dark intentions toward his naive, inexperienced bride. Secrets from his past and sinister ties to their houseguest Greta (Britt Ekland), lead to a terrible turn of unexpected events.
Paris in the 1920s. Marguerite Dumont is a wealthy woman with a passion for music and the opera. For years, she has performed regularly for a circle of guests. But Marguerite sings tragically out of tune and no one has ever told her. Her husband and her close friends have always encouraged her in her illusions. Things become very complicated the day she gets it into her head to perform in front of a genuine public, at the Opera.
A data courier, literally carrying a data package inside his head, must deliver it before he dies from the burden or is killed by the Yakuza. In a dystopian 2021, Johnny (Keanu Reeves) is a data trafficker who has an implant that allows him to securely store data too sensitive for regular computer networks. On one delivery run, he accepts a package that not only exceeds the implant’s safety limits – and will kill him if the data is not removed in time – but also contains information far more important and valuable than he had ever imagined. On a race against time, he must avoid the assassins sent to kill him and remove the data before it, too, ends his life.
Successful Hollywood agent Bryce Dixon is returning to Alabama for the first time in 15 years for his high school reunion. When he learns he’s the only one of his friends who isn’t married with children, he convinces his client, starlet Madison Belle, to pretend to be his girlfriend. But he soon learns that success has different meanings, and romance may be closer than he thinks.
Before a criminal lawyer knows what has happened, she is forced to defend a wife killer she knows is guilty.
When her mother abandons her dementing father, Alex unexpectedly finds herself at a crossroads. As she moves back in the parental house to look after her father, she starts questioning her own life. Does she want to stay with her adulterous husband? She tolerated his affairs for years, but is she really happy with him? Or should she, like her parents, drop the facade?
