The second film in Terence Davies’s autobiographical series (along with “Trilogy” and “The Long Day Closes”) is an impressionistic view of a working-class family in 1940s and 1950s Liverpool, based on Davies’s own family. Through a series of exquisite tableaux Davies creates a deeply affecting photo album of a troubled family wrestling with the complexity of love.

Thirty years after the events of the first film, a new blade runner, LAPD Officer K, unearths a long-buried secret that has the potential to plunge what’s left of society into chaos. K’s discovery leads him on a quest to find Rick Deckard, a former LAPD blade runner who has been missing for 30 years.

A young boxer is taken under the wing of a mob boss after his mother dies and his father is run out of town for being an abusive alcoholic.

A group of utility workers are trapped in a series of tunnels which, unfortunately, contain a scientist mutated by his own creation. The creature feeds instantly on a rat, becoming what it has eaten.

An ambitious investigative reporter, uncovers an ominous government conspiracy and immediately finds himself in their cross hairs. Now, he must race against time to stay alive and expose the proposed legislation before it is voted into law.

A chronicle of the Cristeros War (1926-1929), which was touched off by a rebellion against the Mexican government’s attempt to secularize the country.

6 strangers wake up inside a room garnished with weapons and are forced to kill each other or watch someone they care deeply about die.

Woody Allen meets Frances Ha in this new British drama by first-time feature director, poet, actor and publisher Greta Bellamacina. Greta also stars as Celeste, a young mother trying to carve out a career as a poet in modern-day London. Meanwhile, friend and neighbour Stella (played by co-writer Sadie Brown), dreams of being an actor but spends much of her time babysitting Celeste’s son. Part ode to the city, this is a skilfully observed tale of friendship and family with a refreshingly understated sense of humour.

Mike Nichols’ film from Edward Albee’s play brought new themes to the film industry. Elizabeth Taylor and Richard Burton have never been more brilliant together as they portray an experienced married couple who love each other yet verbally attack one another when they see how boring their naïve newlywed guests have made their night.

Jimmy Valentino has been saved by a miracle – or at least that’s what he believes. Given his second chance, Jimmy conveys what he’s discovered to other terminally ill patients who, to his astonishment, quickly recover. Jimmy tries to keep his profile and the results of his interventions under the radar but when word spreads, the world converges upon him. A few admire him. Some try to imitate him. Most denounce and disparage what he does as dangerous and sacrilegious. When a patient dies after following what he believes is Jimmy’s advice, Jimmy is arrested and prosecuted. With his life in peril once again, Jimmy needs another miracle – one that can’t be questioned.

Biographic film chronicling the last year of the life of the Italian painter Amedeo Modigliani, 1919, who falls in love with a girl from a wealthy family. Her parents are against this relationship and stop financial help. Modigliani worked and died in abject poverty in the Montparnasse Quarter of Paris, France.

In the early 1980s, South Korea is torn by student protests over the lack of representation in the government. Song Woo-Seok is a successful attorney in Busan specializing in tax law. His views regarding civil liberties are changed by student activist Park Jin-woo. When Jin-Woo is brutally tortured and put on trial for his activism, Woo-seok decides to defend Jin-woo as his client.