Womanizing workaholic Neil returns to Michigan to reunite with his brother after their father dies. As they try to sell the family home, their interactions are as chilly as the frost-covered February landscape. But Neil’s facade thaws under the glow of his brother’s charismatic fiancée. Chicago writer-director Patrick Underwood crafts a big-hearted romantic melodrama about rebuilding.
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On the south shore of Long Island in the summer of 1983, a group of working-class teenagers and 20-somethings work their summer jobs, fall in and out of love, and wrestle with what the future holds when the summer ends and the real world beckons.
The story of Jody, a misguided, 20-year-old African-American who is really just a baby boy finally forced-kicking and screaming to face the commitments of real life. Streetwise and jobless, he has not only fathered two children by two different women-Yvette and Peanut but still lives with his own mother. He can’t seem to strike a balance or find direction in his chaotic life.
This is a film about a troubled teen, Sean Randall, who is falsely accused of planning a Columbine shooting scenario. It all begins when an unlikely bond forms between Sean (Connor Jessup) and a preppy teenage girl named Deanna Roy (Alexia Fast). Deanna’s boyfriend is deeply threatened by Sean and Deanna’s friendship, resulting in a violent confrontation. Seeking to protect himself, Sean issues a death threat online – and is swiftly arrested. When the police raid Sean’s home, they find rifles, shotguns, knives and ammunition – all property of Sean’s father Ricky (Michael Buie), an avid hunter. They also find a supposed “hit list” with twenty names of people who have tormented Sean. The authorities and the media proclaim another Columbine has been narrowly averted, and soon Sean faces a terrifying imprisonment in a youth detention facility. Sean’s only hope is to overcome his dark image, and prove his innocence to Deanna and to his community.
Between 1993 and 1999, one man robbed 29 financial institutions in Budapest. Banks, post offices and even travel agencies fell victim to his crime spree. The police had no leads and no hope of finding him during his six-year stint. The only clue left behind at the crime scenes was the distinct aroma of whiskey. The media christened him the “Whiskey Bandit”. Never physically harming anyone, many began to eagerly follow his escapades through the media. A Transylvanian immigrant, who also happened to be a goalie for one of the city’s largest hockey teams, named Attila Ambrus, was finally identified as the “Whiskey Bandit”. The police had finally captured him… or so they thought.
If a man trespass against you, rebuke him. If he repents, then forgive him.
Thirteen-year-old Kayla endures the tidal wave of contemporary suburban adolescence as she makes her way through the last week of middle school — the end of her thus far disastrous eighth grade year — before she begins high school.
The film chronicles the exploits of the title character, Charlie, played by Raymond J. Barry (Training Day) a career criminal intent on scoring one last big pay day. When his “perfect crime” goes bad, Charlie flees to Los Angeles to hide out with his estranged son, Danny, played by Michael Weatherly. What ensues reveals the true nature of some of the most unsavory of characters.
Following over two dozen different people in the almost wordless atmosphere of a dark night in a Brussels town, Akerman examines acceptance and rejection in the realm of romance.
A hate crime on the campus of a New England college puts the school’s dean (Parker) in a position where she has to examine her own feelings about race and prejudice, while maintaining her administration’s politically correct policies.
