A story of Yang Fan who fell into the sea when chasing a mermaid, Xiaoyu. Yang Fan fell in love with a half fish, half girl. But the mermaid have to say bye bye because she want a half fish half human boyfriend.
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A young soldier faces profound disillusionment in the soul-destroying horror of World War I. Together with several other young German soldiers, he experiences the horrors of war, such evil of which he had not conceived of when signing up to fight. They eventually become sad, tormented, and confused of their purpose.
Coming together to solve a series of murders in New York City are a DEA agent whose family was slain as part of a conspiracy and an assassin out to avenge her sister’s death. The duo will be hunted by the police, the mob, and a ruthless corporation.
While on assignment covering a volcanic eruption journalist Russell Woods’ life is shattered when his wife is killed in the ensuing carnage. Grieving he travels to the small village in Italy where she was born. There he is followed by a curious young girl Angela whom the townspeople believe is cursed by the devil. Despite their warnings he feels a strange connection to her and believes her odd behaviour is somehow linked to the death of his wife. But when things turn otherworldly Russell realises that bigger events are unfolding. Something supernatural has come to this small village and Angela is the key.
“Tomorrow’s Promise is a film about vacantness. Which physically does ‘begin’, reversed, upside down on the screen […] suddenly another such position is taken (not in reverse), this time by a male figure and soon, in this same section, the girl of the reversed image reappears posed in a different way; a way obsessed by ‘mood’. Then a technical play of in-the-camera-editing occurs, more intense, brighter than in the first, reversed section. There are several inter-cuts which serve, in this and each subsequent section unto the end, as relative links into the final section: which is actually the ‘story’. The story the protagonist and her hero try to tell in their way is apophysis; except that ‘pictures’, clear visions take the place of words. My film could have been edited with precise tensions and a lucid straight narrative, but it was my aim to ‘re-create’ the protagonist of my personal life.” – Edward Owens
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A seductive vampire and an ex-soldier must protect the only human-vampire hybrid from dangerous mercenaries who seek the secrets of her immortality.
Two policemen, one an old-timer, the other his volatile younger partner, find themselves suspended when a video of their strong-arm tactics becomes the media’s cause du jour. Low on cash and with no other options, these two embittered soldiers descend into the criminal underworld to gain their just due, but instead find far more than they wanted awaiting them in the shadows.
