A cowboy ghost, one young man, a mother and son separated at his birth by a disapproving father, dream / time travel, a big fiery accident, a small town in need of saving by the power of love.
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A young woman in L.A. is having a bad day: she’s evicted, an audition ends with a producer furious she won’t trade sex for the part, and a policeman nabs her for something she didn’t do, demanding fellatio to release her. She snaps, grabs his gun, takes his uniform, and leaves him cuffed to a tree where he’s soon having a defenseless chat with a homeless man. She takes off on the cop’s motorcycle and, for an afternoon, experiences a cop’s life. She talks a young man out of suicide and then is plunged into violence after a friendly encounter with two “vatos.” She is torn between self-protection and others’ expectations. Is there any resolution for her torrent of feelings?
On a drunk night, Shammi suggests that he and Kedar leave for America on a cruise, even though they laugh it off in that instance, in a freak accident by the sea, Kedar and Shammi who are supposed to manage a wedding baraat on a cruise, leave without the baraatis only to lose their direction and land up in Karachi, Pakistan.
A dangerous man awakes in the care of a mysterious woman. Once the pieces of his past fall into place, he’s faced withe the stark choice of accepting his new found love or becoming the man he once was.
Bonded by blood but divided by basketball, two brothers become rivals on the court. This exciting sports film balances drama on and off the court.
Serge Tanneur (Fabrice Luchini) is at the pinnacle of his acting career when he decides to turn his back on show business and become a hermit living off of France’s Atlantic coast. Three years later, Gauthier Valence (Lambert Wilson), a beloved TV actor, shows up on the island to offer Serge a role in his directorial debut – a rendition of Molière’s classic play, “The Misanthrope”. Serge refuses at first, but then suggests that they rehearse the first scene and after five days he’ll decide if he wants to dothe play or not. What ensues is a battle of brawn and wits and peculiar encounters with a hotel maid who longs to be a pornstar and an Italian divorcée.
Following the attack on his precinct, Kane buries his friends and sets his sights on avenging their deaths. He assembles a new team and follows the trail across the border to Vancouver.
This 1942 fictionalized biopic chronicles the true story of how two of the most remarkable men in aviation history – visionary Spitfire designer R.J. Mitchell and his test pilot Geoffrey Crisp – designed a streamlined monoplane that led to the development of the Spitfire.
At the port of Sète, Mr. Slimani, a tired 60-year-old, drags himself toward a shipyard job that has become more and more difficult to cope with as the years go by. He is a divorced father who forces himself to stay close to his family despite the schisms and tensions that are easily sparked off and that financial difficulties make even more intense. He is going through a delicate period in his life and, recently, everything seems to make him feel useless: a failure. He wants to escape from it all and set up his own restaurant. However, it appears to be an unreachable dream given his meager, irregular salary that is not anywhere near enough to supply what he needs to realize his ambition. But he can still dream and talk about it with his family in particular. A family that gradually gives its support to this project, which comes to symbolize the means to a better life. Thanks to its ingeniousness and hard work, this dream soon becomes a reality…or almost…
With Super Bowl 50 stealing the attention of regular late night fans, Taryn Spring, a sassy English live call show host is harassed by a ‘bad caller’. A hostage in her own studio, the only way to get help is to get people watching.
Based on a true story: South Africa, mid 70s. When her husband becomes too ill to work, Poppie is deemed by the law to be an illegal resident in her own country. Based on the Elsa Joubert novel regarded as one of the best African novels of the century.
When Madea catches sixteen-year-old Jennifer and her two younger brothers looting her home, she decides to take matters into her own hands and delivers the young delinquents to the only relative they have: their aunt April. A heavy-drinking nightclub singer who lives off of Raymond, her married boyfriend, April wants nothing to do with the kids.
