An old man living with his only daughter tries to keep her close to him by any means, although she is married. With longing for what was, the daughter becomes attached to the one thing she has left of her deceased mother, a horse. Jealous of her affections, the old and stubborn patriarch sets the horse free, leading to his daughter’s despair… This evocative and at times frightening power game is about isolation, vulnerability and how we can become too dependent on those we love.
You May Also Like
Beatriz’s young husband disappears during the brutal Kraras massacre by occupying Indonesian forces, sixteen years later she is troubled by his return; is this mysterious stranger her husband, an impostor, or a spirit?
A semi-fictionalized documentary about a day in the life of Australian musician Nick Cave’s persona.
Three vignettes of old Irish country life, based on a series of short stories. In “The Majesty of the Law,” a police officer must arrest an old-fashioned, traditional fellow for assault. The man’s principles have the policeman and the whole village, including the man he slugged, sympathizing with him. “One Minute’s Wait” is about a little train station and glimpses into the lives of the passengers, with a series of comic setups. The third piece, “1921,” is about a condemned Irish nationalist and his daring escape.
Genealogist Sophie McClaren is an expert at bringing families together. When her close friend Jonathan urgently needs to find a bone marrow donor, the case becomes personal.
A newly reunited father and son grapple with new beginnings after tragedy, but can they manage to fill the void left by a beloved wife and mother?
Edda Chiemnyjewski, a freelance press photographer and single mother living in 1970s West Berlin, is confronted with the fact that “a cook has no time for affairs of state”. She also fails to find a market for the project she has been working on with her women′s photography group that seeks to document the city. While from today′s perspective the city, which becomes one of the film′s protagonists, looks like post-war Berlin, little has actually changed as regards the precarious existence of free-lancers. With a heavy dose of self-irony Helke Sander, who also plays the leading role, tells of a divided life in a divided city.
The story of a platoon during the Korean War. One by one, Corporal Denno’s superiors are killed until it comes to the point where he must try to take command responsibility.
Based on a screenplay by the prolific Kim Ki-duk. Two families live next door to each other in identical suburban white houses with green lawns. One family is from South Korea, the other is a fake family assembled from North Korean spies. The North Koreans must strictly obey every order from their regime, who holds their real families hostage. The problem is that the families affect each other and after a while, the political rift in the North Korean house becomes apparent. Naturally, there also occurs cross-border romantic entanglements between old and young alike.
Elite snipers Brandon Beckett and Richard Miller are tasked with protecting a gas pipeline from terrorists looking to make a statement. When battles with the enemy lead to snipers being killed by a ghost shooter who knows their exact location, tensions boil as a security breach is suspected. Is there someone working with the enemy on the inside? Is the mission a front for other activity? Is the Colonel pulling the strings?
