The unassuming, nebbishy inventor Sidney Stratton creates a miraculous fabric that will never be dirty or worn out. Clearly he can make a fortune selling clothes made of the material, but may cause a crisis in the process. After all, once someone buys one of his suits they won’t ever have to fix them or buy another one, and the clothing industry will collapse overnight. Nevertheless, Sidney is determined to put his invention on the market, forcing the clothing factory bigwigs to resort to more desperate measures…
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Wisecracking, gum-chewing 12-year-old Gilly is well known in the foster system. Totally unmanageable, she has stayed with more families than she can remember and has outwitted them all. After all, how can she settle down when her real mother, the beautiful and glamourous Courtney, might be out there waiting for her? When Gilly is sent to live with the Trotters, the weirdest family yet, she isn’t planning to stick around. But cheerful, affectionate Maime Trotter isn’t giving up on Gilly just yet…
Based on the Henry James novella, the story frames on 7-year-old Maisie, caught in a custody battle between her mother – a rock and roll icon – and her father. What Maisie Knew is an evocative portrayal of the chaos of adult life seen entirely from a child’s point of view.
Summoned by the black sphere, Kei and Masaru fight against extraterrestrials until Masaru grows tired of fighting and refuses to continue.
Luke Parker, a brilliant young psychiatrist has always relied on analysis and logic. But his amazing mind can’t fathom the call of his destiny. Luke’s patient, William Titus embodies why ‘lunar’ is the root of ‘lunatic.’ He’s a serial killer, but more than that, he believes he’s a werewolf. And Titus has a secret. — James Wolf
A failed Broadway singer who now works as a production manager must save opening night on his new production by wrangling his eccentric cast and crew.
35-year-old Morris Bliss (Michael C. Hall) is clamped in the jaws of New York City inertia: he wants to travel but has no money; he needs a job but has no prospects; he still shares an apartment with his widowed father; and the premature death of his mother has left him emotionally walled up. When he finds himself wrapped up in an awkward relationship with Stephanie (Brie Larson), the 18-year-old daughter of a former classmate, Morris quickly discovers his static life unraveling and opening up in ways that are long overdue.
Paula McFadden knows: In romance, actors all follow the same stage instruction: Exit. Without warning, her actor boyfriend split today for a movie role and sublet their Manhattan apartment. The new tenant’s name: Elliot Garfield. Profession: actor. Richard Dreyfuss and Marsha Mason deliver comedy, zingy repartee and bitter-to-best romance in The Goodbye Girl.
A TV channel’s crew goes to a deserted beachside bungalow to stage a horror show but the place is actually haunted and the ghost(s) in the place possess the director and the cameraman in the team.
A couple is going through marital troubles made worse when a previously unknown grandson shows up.
Two teachers vie for the right to stage a play written by Jane Austen when she was twelve years old.
The paths of two former sweethearts unexpectedly cross years later as they grapple with their dreams and disappointments
