Will Lockhart (James Stewart) becomes entangled in the happenings of Coronado, an isolated western town, after delivering supplies there. He is especially involved with the Waggomans, an influential ranching family, and begins his search for someone selling rifles to the local Apaches, only to find out it is the son of the most powerful man in the area. It is at this point that his troubles begin.
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Sprawling epic covering the life of a Texas cattle rancher and his family and associates.
Three cowhands, between jobs, have the bad dumb luck to pitch night camp in the same valley as a cabin full of guys who just robbed a stagecoach and killed the guard. Come morning, a posse arrives, forms up along the ridge, and takes for granted that everyone down below is guilty–fit for either shooting to bits or hanging from a tree, whichever comes first. Precisely half of Ride in the Whirlwind’s 82 minutes is devoted to tapping the matter-of-fact, absurdist horror of that situation. In the remaining half, the two surviving cowpokes (Jack Nicholson and Cameron Mitchell) seek shelter at a farmhouse where they reluctantly threaten the farmer, accept breakfast from his wife, flirt with his daughter (Millie Perkins), play some checkers, and hope to remain undetected till nightfall.
After The Deerslayer, a white man reared by the Mohicans, and his blood brother Chingachgook, a Mohican chief, save trader Harry Marsh from the hostile Huron Indians, they learn that the Hurons will attack Old Tom Hutter and his two daughters, Hetty and Judith, who live on a floating raft fort on the river.
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Three unemployed actors accept an invitation to a Mexican village to replay their bandit fighter roles, unaware that it is the real thing.