“The Man Between” is a 1953 British thriller film directed by Carol Reed and starring James Mason, Claire Bloom, Hildegard Knef and Geoffrey Toone. A British woman on a visit to post-war Berlin is caught up in an espionage ring smuggling secrets into and out of the Eastern Bloc.
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Will Montgomery (Ben Foster), a U.S. Army Staff Sergeant who has returned home from Iraq, is assigned to the Army’s Casualty Notification service. Montgomery is partnered with Captain Tony Stone (Woody Harrelson), to give notice to the families of fallen soldiers. The Sergeant is drawn to Olivia Pitterson (Samantha Morton), to whom he has delivered news of her husband’s death.
Dita, who, despite never aspiring to be a mother, finds herself compelled to raise her girlfriend’s two daughters—Mia, a tiny troublemaker, and Vanesa, a rebellious teenager. As their individual wills clash, a heartwarming story unfolds about an unlikely family’s struggle to stay together.
When it was first released in Argentina, Pablo Trapero’s film had the highest opening box-office of all time. The key to that success is simply that The Clan is based on one of the most shocking crimes in the country’s history, the Puccio Clan case. In 1985, the news broke that the Puccios, a well-established Catholic family with five children from San Isidro, an upper-class suburb of Buenos Aires, kidnapped and held people hostage for ransom in their own home. The film is a disturbing, impressive, and beautifully controlled interpretation of those events, with Guillermo Francella’s magnificent depiction of the father, a performance for the ages.
A classical art professor and collector, who doubles as a professional assassin, is coerced out of retirement to avenge the murder of an old friend.
An internet-dating playboy’s life spirals out of control after meeting a woman online.
Laura and Tyler are best friends and drinking buddies whose hedonistic existence falls under the creeping horror of adulthood when Laura gets engaged to Jim – an ambitious pianist who surprisingly decides to go teetotal.
A small town electrician with anger issues gets extreme therapy from a noted Pyschiatrist, Dr. Eric Peselowe, but is soon framed for a robbery and then a murder. Even with the help of Dr. Peselowe’s female assistant Bonnie, he soon learns to trust no one but himself and becomes entrapped in a web of deceit, greed and corruption.
Staged at the Stratford Festival and named on many 2018 year-end critics “best of” lists, the Stratford Festival’s “riveting” and “exhilarating” (The New York Times) production of Shakespeare’s Coriolanus, has been called “the show of the decade… a landmark production for the Stratford Festival. Maybe for William Shakespeare, too” (The Globe and Mail), and “the greatest contemporary staging of this play that I have ever seen” (Chicago Tribune).
Tessa is a young, brilliant barrister. From working class origins, she has reached the top of her game. An unexpected event forces her to confront the lines where the patriarchal power of the law, burden of proof and morals diverge.
Isa is a feminist, bisexual, and polyamorous posh girl, she passionately defends her life. When Guillem proposes to be a monogamous couple, Isa is not sure if he wants to change her life and, given her lack of decision, Guillem decides to break the relationship. Living in a world of appearances and comforts, her contradictions come to light and her universe is crumbling at the blow of likes and moral judgments in this web that social networks have become.
A radio talk show host unravels a conspiracy about encounters with mysterious beings known as The Shadow People and their role in the unexplained deaths of several hundred victims in the 1980s.
