The Magnificent Seven Deadly Sins is a 1971 British comedy film directed and produced by Graham Stark. Its title is a conflation of The Magnificent Seven and the seven deadly sins. It comprises a sequence of seven sketches, each representing a sin and written by an array of British comedy-writing talent. The sketches are linked by animation sequences. The music score is by British jazz musician Roy Budd, cinematography by Harvey Harrison and editing by Rod Nelson-Keys and Roy Piper. It was produced by Tigon Pictures and distributed in the U.K. by Tigon Film Distributors Ltd..
You May Also Like
Imagine asteroids so large that they can wipe out all life on the planet constantly bombarding the Earth. The only things standing in the way are the Rock Jocks, a top-secret band of government employees, who pilot asteroid-killing satellites. The story takes place during a Rock Jocks night shift. Though they are there to fight off asteroids, they spend most of the night fighting off boredom, themselves, and the occasional meddling government bureaucrat hell-bent on cutting their department’s budget.
A mischievous 14-year-old boy and his irresponsible uncle almost ruin Christmas when they decide to take Santa’s new high-tech sleigh for a joyride.
After the indomitable and beloved founder of a scrappy theater camp in upstate New York falls into a coma, the eccentric staff must band together with her clueless “crypto-bro” son to keep the thespian paradise afloat.
The hilarity begins when professor Sherman Klump finds romance with fellow DNA specialist, Denise Gaines, and discovers a brilliant formula that reverses aging. But Sherman’s thin and obnoxious alter ego, Buddy Love, wants out…and a big piece of the action. And when Buddy gets loose, things get seriously nutty.
A young teenager named Mikey Walsh finds an old treasure map in his father’s attic. Hoping to save their homes from demolition, Mikey and his friends Data Wang, Chunk Cohen, and Mouth Devereaux run off on a big quest to find the secret stash of Pirate One-Eyed Willie.
A group of people from different backgrounds have one thing in common: when they hear the world “gumball” whispered by one of the others, they know that it’s time for the Gumball Rally: a no-holds barred, secret, winner-take-all rally across the USA.
Wonderfully surreal, painfully real, this is the story of children, adults and animals who live together trying to have a better life, but sometimes death comes unexpectedly. The lives of three characters surrounded by a bunch of extraordinary, funny, absurd but quite realistic events. It is all about us, people who eat the animals that they love and the animals that love people unconditionally.
This movie chronicles the life and times of R. Crumb. Robert Crumb is the cartoonist/artist who drew Keep On Truckin’, Fritz the Cat, and played a major pioneering role in the genesis of underground comix. Through interviews with his mother, two brothers, wife, and ex-girlfriends, as well as selections from his vast quantity of graphic art, we are treated to a darkly comic ride through one man’s subconscious mind.
Weekend trips, office parties, late night conversations, drinking on the job, marriage pressure, biological clocks, holding eye contact a second too long… you know what makes the line between “friends” and “more than friends” really blurry? Beer.
Mr. and Mrs. To are wealthy, creative jewel thieves who divorce for no apparent reason after a successful diamond heist. A year later, she’s engaged to the son of a rich woman who begrudgingly lets her son give his fiancée a family heirloom after she signs a pre-nup.
A man (Lukas Haas) encounters a childhood friend (Adam Scott) who had an affair with his wife (Molly Parker) five years earlier.
