Jonas, a 40 something Parisian, is still desperately in love with his ex-girlfriend Léa. When he knocks on her door to confess his feelings and she turns him down, he ends up at the café downstairs. Inspiration strikes and he sits down to write her a long love letter, dodging everything he was supposed to do that day. What begins as a last attempt to get her back surprisingly turns into a vivid musing on the state of his life. Over the course of a day, helped by a wisecracking bartender and an array of patrons from the neighborhood, Jonas has to face his past relationships, his uncertain future and, most of all, himself.
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Down on her luck, Keisha, learns her sick mom needs costly care. She forms an all-female gang to dominate the city and takes out rivals to raise funds. When the northside gang leader targets Keisha, she must kill him before he can kill her first.
Jimmy Durante is jungle movie star Schnarzan the Conqueror, but the public is tiring of his fake lions. When Baron Munchausen comes to town with real man-eating lions, Durante throws him a big Hollywood star-studded party so that he might use the lions in his next movie. But, his film rival sneaks into the party to buy the lions before Durante.
Giovana and Yago are strangers who share a spark after meeting at a party. When a deadly cloud mysteriously takes over their city, they are forced to seek shelter with only each other for company. As months pass and the planet settles into an extended quarantine, their world shrinks, and they are forced to come to terms with an accelerated timeline for their relationship. With all their other interactions governed by screens, and with the strain of isolation setting in, Giovana and Yago struggle to reinvent themselves and reconcile the differences that threaten to tear them apart.
With his one-eyed eye, his imposing build and his almost sixty years of age, Raphael knows that he scares people. He lives with his mother in a pavilion located on the vast estate of the manor of which he is the guardian. Since the owners died, he leads a quiet existence. Everything changes the night when the heiress, Garance, returns to the family home.
Five thought-provoking shorts imagine what Hong Kong will be like ten years from now. In Extras, two genial low-level gangsters are hired to stage an attack, but they’re mere sacrificial lambs in a political conspiracy. Rebels strive to preserve destroyed homes and objects as specimens in the mesmerizing Season of the End. In Dialect, a taxi driver struggles to adjust after Putonghua displaces Cantonese as Hong Kong’s only official language. Following the death of a leading independence activist, an act of self-immolation outside the British consulate triggers questions and protests in the searing yet moving Self-Immolator. In Local Egg, a grocery shop owner worries about his son’s youth guard activities and where to buy eggs after Hong Kong’s last chicken farm closes down.
Two rednecks rob a wedding train.
Two sisters-in-law live as neighbors in the same apartment building with the mother-in-law who promised to give a beautiful sea-view penthouse to the one who delivers the first grandchild. A battle of egos erupts on social media.
A woman’s life is turned upside-down when a dangerous man gets a hold of her lost cell phone and uses it to track her every move.
This story takes place in a small town on the Hungarian Plain. In a provincial town, which is surrounded with nothing else but frost. It is bitterly cold weather — without snow. Even in this bewildered cold hundreds of people are standing around the circus tent, which is put up in the main square, to see — as the outcome of their wait — the chief attraction, the stuffed carcass of a real whale. The people are coming from everywhere. From the neighboring settlings, even from quite far away parts of the country. They are following this clumsy monster as a dumb, faceless, rag-wearing crowd. This strange state of affairs — the appearance of the foreigners, the extreme frost — disturbs the order of the small town. Ambitious personages of the story feel they can take advantage of this situation. The tension growing to the unbearable is brought to explosion by the figure of the Prince, who is pretending facelessness. Even his mere appearance is enough to break loose destructive emotions…
