Larry, a 16-year-old Tlicho Indian, lives in the small northern town of Fort Simmer. He loves heavy metal music and has a crush on his classmate, the high school’s hottie, Juliet Hope. Larry’s past holds a variety of terrors—his father is abusive and he once had an accident that nearly killed him. When Johnny Beck , a young Métis from Hay River, moves to town, things heat up.

Tom Ripley – cool, urbane, wealthy, and murderous – lives in a villa in the Veneto with Luisa, his harpsichord-playing girlfriend. A former business associate from Berlin’s underworld pays a call asking Ripley’s help in killing a rival. Ripley – ever a student of human nature – initiates a game to turn a mild and innocent local picture framer into a hit man. The artisan, Jonathan Trevanny, who’s dying of cancer, has a wife, young son, and little to leave them. If Ripley draws Jonathan into the game, can Ripley maintain control? Does it stop at one killing? What if Ripley develops a conscience?

Venerable newscaster Norm Archer reports the latest news in politics, health, culture and entertainment – such as an automotive recall of decapitation-inducing “Neckbelts” and a study finding that “depression hits losers hardest”. This compilation of bogus news stories, celebrity profiles, movie trailers and skits come courtesy of the ace satirists at The Onion.

Two out-of-work actors — the anxious, luckless Marwood and his acerbic, alcoholic friend, Withnail — spend their days drifting between their squalid flat, the unemployment office and the pub. When they take a holiday “by mistake” at the country house of Withnail’s flamboyantly gay uncle, Monty, they encounter the unpleasant side of the English countryside: tedium, terrifying locals and torrential rain.

“Life is simpler in black and white.” This line, uttered midway through Bored in the U.S.A., could well serve as the film’s thesis statement. Following the budding friendship of Kelly (Kelly Lloyd, Baltimore Improv Group), a bored housewife, and Chris (Chris Milner, Comedy Central), a displaced Londoner, this film takes an honest look at life by disposing of conventional on-screen relationships. Bored exposes the inherent drama in the silences between what people say and don’t say to each other.

The story follows a 16-year-old Icelandic boy, Ari, who lives with his mother in Reykjavík, She has to leave the country for a new job, sending him back to the small town of his youth. There he finds his old friend, suddenly a young woman with a tricky romantic relationship; and his father has become a victim of the financial crisis.

Two families bond when their teenage sons are killed in an explosion at a suburban mall only to discover one of their children is the prime suspect.

After growing up in a tumultuous household, Yura finds herself in a love triangle with two close friends as she faces a personal and financial crisis.

Following the outbreak of a virus that wipes out the majority of the human population, a young woman documents her family’s new life in quarantine and tries to protect her infected sister.

Set in post-war (1949) rural New Zealand, this film traces the efforts of two con men to run a betting scam in a small town (Tainuea) already rife with illegal gambling corruption, and eccentricity.

A broken down collegiate football hero gets a shot at stardom during the eleventh hour of LA’s nihilistic sub-prime mortgage boom.

Self-important author Leon joins his best friend on a summer holiday near the Baltic Sea to complete his novel. When they arrive, they find their house is already occupied by a carefree woman who challenges Leon to open up. Meanwhile, forest wildfires rage around them and impending disaster looms.