In this elaborately mounted seafaring adventure, Rolfe (Richard Widmark) is a Viking leader with the cunning and devious mind of a pirate. Rolfe tells others sailors of “The Mother of Voices,” a mammoth bell made of gold and as tall as three men, but he adds enough incorrect details to throw them off the proper trail. However, Aly Mansuh (Sidney Poitier), the leader of a group of ambitious Moors, sees through Rolfe’s story, and soon the two are in a breakneck race to be the first to capture the precious bell. The Long Ships also features Russ Tamblyn and Oscar Homolka.
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Soldiers undertake the perilous task of removing a stockpile of World War II bombshells discovered during roadworks under the ground of a small village.
Ray Charles plays himself in this film where he helps blind boy David (Piers Bishop) in his struggle to regain his sight. David’s over-protective mother Peggy (Mary Peach) is afraid of the risks connected with restoring his sight. Ray tries to help the whole family, offering the heavy-drinking Peggy’s heavy-drinking partner Steve (Tom Bell) an opportunity to work with his band.
Akash (Ranbir Kapoor) and Kiara (Priyanka Chopra) are trying to find luck in their life after several failed attempts to be successful in their careers and in love. Fed up, they both decide to commit suicide by jumping off a bridge. However, both land up on the same bridge at the same time.
Amid big-budget medieval pageantry, King Richard goes on the Crusades leaving his brother Prince John as regent, who promptly emerges as a cruel, grasping, treacherous tyrant. Apprised of England’s peril by message from his lady-love Marian, the dashing Earl of Huntingdon endangers his life and honor by returning to oppose John, but finds himself and his friends outlawed, with Marian apparently dead. Enter Robin Hood, acrobatic champion of the oppressed, laboring to set things right through swashbuckling feats and cliffhanging perils!
When a frenzy of five Megalodons torment the open ocean, the stakes have never been higher.
In the mid-nineteenth century, in a small Venezuelan village, Father Giovanni and a clerk write the story of a supernatural case that they have witnessed, is the story of a mysterious specter, which the people of the town have baptized as “El Silbón”. In the current age, we know a family made up of Gabriel and Mayra, Ana’s parents. Gabriel suspects that his daughter is possessed by the devil since she is trying to kill him. Gabriel asks the priest of his parish for advice, which is the same one Father Giovanni wrote about the Silbón over a hundred years ago.
“Found” is the story of an innocent teenage boy raised up in the Appalachian Mountains on a small old fashioned homestead devoid of modern conveniences and tucked away from the broader culture at large. Through a sudden tragedy, he suddenly finds himself cast out, alone and adrift into our high-speed, hi-tech modern world until he meets a troubled family who takes him into their home for better or for worse. What he learns about himself and what others around him discover about themselves brings new meaning to the phrase “testing your faith” (James 1:2-4).
In this film, childhood friends come face to face with the demons of rock and roll (lust, drugs, and passion) on a cross-country road trip that compels them to face their past, present, and future. Rocker Spyder, whose debut album was a huge hit saw his follow-on album bomb, causing him to retreat to his small hometown and give up. Seven years later, 27-year-old Spyder reconnects with his long-lost best friend and writer of his debut album Eric, son of a late great punk rock guitar legend, who has long settled into the sedate life of a suburban middle school music teacher. The reunion forces the two to recall their youthful ambitions and re-examine the choices they’ve made.
Riley has recently been discharged from rehab after struggling with food and body image issues. She soon meets Ethan and finds herself navigating the line between unconditional love and a new addiction.
Before the T.I.C and the Clappers crew were formed, the members worked for a ruthless Yardie boss, Beverly. One of the boys, Jay has ambitions to set up on his own. He has no money, his car keeps getting towed away, every move he makes to get money and lift himself out of the everyday struggle is unsuccessful. Inspired by his high-flying girlfriend, Selene, he sets about laying the foundations for his own organised crime ring. Things are going seemingly well until he is arrested and Beverley discovers his hidden ambition. An ill-fated robbery after a stint in jail and a trip to Jamaica tears the crew apart. All their actions are being monitored by an undercover police officer who goes by the street name ‘Gunz’, who has been deployed by the Met Police to ingratiate himself with the crew. With the same grit, humour and action sequences as its’ predecessor, ‘THE COME UP’ promises to follow ‘THE INTENT’ in becoming an instant cult classic but with international reach.