Detective Philip Marlowe tries to help a friend who is accused of murdering his wife.
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Sparks fly when a fashion blogger in Bali meets a gifted shoemaker, leading her to question her commitment to her fiancé.
A well-known fashion magazine editor, an outspoken male chauvinist, is forced to reconsider his point of view when one morning he wakes up as a woman.
Sam and Barbara have been together for eight years, but the key to their relationship is breaking up. Each time Barbara threatens to leave, Sam would give in and beg her to come back, giving her an increasing upper hand. After their 99th breakup, the couple finally decides to stick through with their relationship and not break up so easily. They plan a future together by running their own café. Ironically, the success of the café starts driving Sam and Barbara apart, and the 100th breakup between Sam and Barbara seems to be just around the corner.
The film is submerging in the world of YouTube and internet amateur-made-films posting through the eyes of Bahoi, one of Romania’s most viewed filmmakers. The first part of the movie deeply analysis his films by going to his hometown village in Romania, Peninsula, and meeting Bahoi’s most famous characters. Also through Bahoi’s own words we are trying to find out why is he filming so much brilliant material, why is he posting it on the internet and how he took this passion with him to the West. In the second part we are traveling along with Bahoi throughout Europe to discover more talented people and make some sense of this huge boom in filmmaking.
For Rod Kimball, performing stunts is a way of life, even though he is rather accident-prone. Poor Rod cannot even get any respect from his stepfather, Frank, who beats him up in weekly sparring matches. When Frank falls ill, Rod devises his most outrageous stunt yet to raise money for Frank’s operation — and then Rod will kick Frank’s butt.
Wind From the East is a product of Jean-Luc Godard’s involvement, during the late 60s and early 70s, with a collective filmmaking experiment known as the Dziga Vertov Group. The film is, typically of the films he made during this period, about ideas and simultaneously about how best to express those ideas through the medium of film. The film deals with the situation of a strike and, during its first half, methodically analyzes the different components of the strike: the workers, the radical students who encourage the strike while not quite being able to communicate in the same terms as the workers, the union delegates and other middlemen who preach moderation and compromise, the employers who demand the immediate resumption of work, the police state that suppresses the strike on behalf of capitalism.
An art historian and a soldier team up to investigate the murder of the only person who knew the whereabouts of a sacred statue of the Virgin Mary, missing since 1832.
Gilbert is a lonely man who sees the world through the prism of his phone’s screen. When a chance at a real relationship enters his life, can he truly relate to a woman and find love?
In the 1980s, ruthless Colombian cocaine barons invaded Miami with a brand of violence unseen in this country since Prohibition-era Chicago – and it put the city on the map. “Cocaine Cowboys” is the true story of how Miami became the drug, murder and cash capital of the United States, told by the people who made it all happen.
Gunning for revenge, outlaw Nat Love saddles up with his gang to take down enemy Rufus Buck, a ruthless crime boss who just got sprung from prison.