A single mother is confused by the changes in her teenage son, who has become distant since spending summer vacation with his father.
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Bad Boy Bubby is just that: a bad boy. So bad, in fact, that his mother has kept him locked in their house for his entire thirty years, convincing him that the air outside is poisonous. After a visit from his estranged father, circumstances force Bubby into the waiting world, a place which is just as unusual to him as he is to the world.
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When salary man Jun gets home, he finds his wife bleeding from her mouth and lying on the floor. He is shocked by the scene, but it turns out the blood is just ketchup and she is pretending to be dead. Without telling him why, she pretends to be dead everyday. Jun is dumbfounded by his wife’s behavior, but he begins to feel uneasy with her.
The real life story of East German singer and writer Gerhard Gundermann and his struggles with music, life as a coal miner and his dealings with the secret police (STASI) of the GDR.
In 19th century France, Jean Valjean, a man imprisoned for stealing bread, must flee a relentless policeman named Javert. The pursuit consumes both men’s lives, and soon Valjean finds himself in the midst of the student revolutions in France.
After a skiing accident, Sarah’s life is saved thanks to a brilliant surgeon, Dr. Vincent. But when Dr. Vincent mistakes Sara’s gratitude for love, he becomes obsessed with her, determined to have her at any cost.
Bernard Bottle, a mild mannered art buyer, is fired by his greedy boss, abandoned by his girlfriend and discovers a genie in an old bottle. The genie immediately embraces the modern world and helps Bernard on the side.
The Whales of August is a 1987 film based on a play by David Berry starring Bette Davis and Lillian Gish as elderly sisters. Also in the cast were Ann Sothern as one of their friends, and Vincent Price as a peripheral member of the former Russian aristocracy. The film was shot on location on Maine’s Cliff Island. The house still stands and is a popular subject of artists on the island. The film was directed by Lindsay Anderson, his final feature film, and the screenplay was adapted by David Berry from his own play.
Kenya McQueen, a corporate lawyer finds love in the most unexpected place when she agrees to go on a blind date with Brian Kelly, a sexy and free-spirited landscaper.
Mandy is a mother, a writer, a nihilist. Mandy is a modern woman in a crisis. Raising a son in the midst of a female revolution, mining the pain of her parents’ separation and professionally writing about a love that no longer exists, she falls upon a troubled man, Pete, who’s searching for a sense of worth, belonging and ‘restored’ Male identity.
