After an alcohol induced blacked-out night of drinking, Teddy discovers he has severely beaten his wife, Molly. As he attempts to redeem himself to her she must decide whether or not she will take him back as her mother, Angela, continuously expresses her disapproval, all the while her brother, Gordon, falls in way over his head as he tries to hire an ex-con, Howard, to kill Teddy.
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An accident during a bar mitzvah celebration leads to a gendered rift in a devout Orthodox community in Jerusalem, in this rousing, good-hearted tale about women speaking truth to patriarchal power.
Manohar and his family move into a new apartment on the 13th floor. However, their peace is disturbed by a spirit that uses the television set as a medium to communicate with them.
This film is made up several sketches in which certain actors play several real or fictional roles to a background of rock music. The lead character, played by Godard himself, is an annoyingly perfectionist film-maker determined to wring every last drop of the finest performance possible from his stars.
When she’s written out of her show, her relationship and her seemingly perfect life, reality TV star Ann Stanway leaves Hollywood and finds herself marooned in Amish country. But when Ann is taken in by the owner of a nearby Inn, and meets a handsome young architect, she discovers that the reality she left isn’t nearly as perfect as the one she’s found.
In a small town in 1970s West Germany, Stephanie is raised by two parents who have no business having children. The mother suffers from an unspecified medical condition—one both mental and physical. The father makes it clear that he has no patience for his daughter. Young Stephanie takes solace in exploring the mysteries hidden away in the increasingly untidy house, particularly the trunk full of her grandfather’s butcher’s equipment; older Stephanie takes far more sinister comfort in the tools found therein.
The film is about the French film industry from 1942 to 1944 during the Nazi occupation. The film focuses on assistant director and resistance fighter Jean Devaivre and screenwriter Jean Aurenche. Aurenche is on the move so that he doesn’t have to write anything collaborationist. Devaivre is in dangerous political activity. Devaivre also works for the German production company Continental where he is respected. On the other hand, Aurenche’s scriptwriting doesn’t help how he lives and he is a womanizer which causes him to procrastinate.
Soul-touching and moving, TWO WAYS HOME compassionately follows Kathy (Tanna Frederick), a woman newly diagnosed with bipolar disorder who is released from prison on good behavior and returns to her country home in Iowa to reconnect with her estranged 12-year-old daughter (Rylie Behr) and her cantankerous elderly grandfather (Tom Bower). Her return home is turbulent and a rough, unwelcome transition in which Kathy must come to terms with her diagnosis and its implications on her identity, while also realizing that her family was happier when she was gone. Conflict with her family intensifies as she struggles to keep her head above water, putting her self-worth and well-being to the ultimate test.
Kat Connors is 17 years old when her perfect homemaker mother, Eve, disappears. Having lived for so long in an emotionally repressed household, she barely registers her mother’s absence and certainly doesn’t blame her doormat of a father, Brock, for the loss. But as time passes, Kat begins to come to grips with how deeply Eve’s disappearance has affected her. Returning home on a break from college, she finds herself confronted with the truth about her mother’s departure, and her own denial about the events surrounding it…
The NCAA is the face for college athletics, and it generates billions of dollars every year for the top universities in the United States. This is the first documentary that challenges the NCAA from the perspective of former student-athletes. Director Bob DeMars, a former USC football player, interviewed former student-athletes to find the problems and potential solutions regarding players’ rights.
The Los Angeles club scene is a place of booze-fueled decadence and debauchery. In a night full of possibilities, eight 20-somethings take to the clubs seeking good times, companionship and maybe a little sex. But in the harsh light of the morning after, their worlds are thrown into a spin of confusion when hungover Sara accuses hard-partying Mike of date rape. Loyalties are tested as each among them is forced to take sides.