A modern adaptation of As You Like It set in the contemporary American west, with original language and an all-male cast.

Fighting for her own life and the ones she loves, a Chicana in New Mexico sinks deeper into her addiction while struggling to surface for her daughter.

A terminally ill woman and a debonair murderer facing execution meet and fall in love on a trans-Pacific crossing, each without knowing the other’s secret.

Upon the unexpected death of his father, Daniel Rimsdale leaves medical school and returns home to the Chippewa Valley to try to salvage the floundering family lumber business and save his family from financial ruin. However, he meets heavy resistance from an old friend of his father’s, Silas Lynch, who will stop at nothing to secure the Rimsdale mansion and rumored treasure it contains.

Angélique is a 60-year-old bar hostess. She still likes to party, she still likes men. At night, she makes them drink, in a cabaret by the French-German border. As time goes by, clients become rare. But Michel, her regular client, is still in love with her. One day, he asks Angélique to marry him.

A series of snapshots from the life of a fictional actress named Shirley serves to weave together thirteen paintings by Edward Hopper (e.g. “Office at Night”, “Western Motel”, “Usherette”, “A Woman in the Sun”) into a fascinating synthesis of painting and film, personal and political history. Each station in Shirley’s professional and private life from the 1930s to 1960s is precisely dated: It is always August 28/29 of the year in question, as the locations vary from Paris to New York to Cape Cod.

Rushon is sexually pent-up and ready to take thing things to the next level with his girlfriend, Nikki. But when he calls for a date, she asks to make it a double — bringing along her brash friend Lysterine, whom Rushon sets up with his lewd buddy, Bunz. Things go better than expected. As the evening transitions from the restaurant to the bedroom, the two men go on a madcap search for what will surely make the night complete: condoms.

Italy, 1997. When Clara and Irène, both 17, meet they are nothing like each other but get on marvellously well. They run away together to a faraway island off the coast of Sicily to live their summer freely, and to hide from a reality they want to forget.

After receiving rave reviews in Australia, New Zealand and the UK, Bill Bailey brings ‘Qualmpeddler’ to the Hammersmith Apollo London. A brilliant mix of stand-up, stories, music and old-fashioned wit distilled from his own extraordinary experiences and reactions to the modern world, he looks at Cut-Price Shark Diving, The Hiding Skills of Dentists, A Theory of Cognitive Dissonance & Internet Shopping, Mandarin Ambiguity, Religious Dubstep, and Fashioning Replacement Hamsters. All in all, vintage Bill Bailey with trademark musical mash-ups, multi-lingual riffs, films, songs, philosophizing and silliness on a grand scale…plus one amazing owl. “Qualmpeddler is… part rock-concert, part political discourse, part philosophical enquiry… masterfully constructed… the thinking person’s comedian…” – Herald Sun, Melbourne.

The film tells a story about a young man who enters the Zone. A place where fear and pain fill human hearts. Upon entering, he quickly learns that the zone is ruled by apathy and greed. He came to that place for a reason. Will he find what he’s searching for?

The original 70’s TV family is now placed in the 1990’s, where they’re even more square and out of place than ever.

When Barbara learns that nude photos of her daughter have been put up on a revenge porn site, she vows to get them taken down. But the site’s administrator and his followers refuse, threatening Barbara’s family in retaliation. Barbara doesn’t back down, but in doing so, her and her daughter’s lives are systematically destroyed both online and off.