A man against capital punishment is accused of murdering a fellow activist and is sent to death row.
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A mentally disturbed young woman takes a job at a posh country club and falls in with a clique of wealthy college kids where she’s taken under the wing of the clique’s twisted leader, who harbors some dark secrets too terrifying to tell.
Recent MIT grad Matt Franklin should be well on his way to a successful career at a Fortune 500 company, but instead he rebels against maturity by taking a job at a video store. Matt rethinks his position when his unrequited high-school crush, Tori, walks in and invites him to an end-of-summer party. With the help of his twin sister and his best friend, Matt hatches a plan to change the course of his life.
Silent film master D.W. Griffith’s first talkie works as a companion piece to his classic BIRTH OF A NATION, providing a detailed biographical sketch of the 16th president. We see his birth in a log cabin, the tragic death of his first love, Ann Rutledge (Una Merkel), his debates with Douglas, his accepting of the presidency, the terrible toll of the Civil War, and finally the tragic assassination at Ford’s Theater. Griffith shows his usual meticulous attention to period detail, and the framing of the various vignettes has the feel of historical photographs come to life. Walter Huston is excellent in the title role, with a portrayal that subtly evolves from laconic, wizened rascal to noble elder statesman. This is a fascinating, worthy film, and an interesting historical document in and of itself.
After surviving a violent encounter, renowned pianist, Amber Waltz, relocates to a rural farmhouse to complete her latest symphony. When the music mysteriously begins writing itself, Amber slowly discovers that this piece could be her last.
From an exciting Indian wedding comes a relationship from two different times not only showing the modern but also the traditional. Different characters and stories interact with each other in director Mira Nair film where she used an Indian-American production to illustrate these themes modern day Indians are very familiar with.
Criminal Gavin Matthews finds himself an unwilling recruit, who’s identity and past has been erased by “The Corporation,” a secret underground organization that acts as a rogue “Justice Department,” righting the wrongs the courts cannot. Now, held with other “recruits” at The Corporation’s training and reeducation facility, Matthews and the others will become useful and professional assassins…or they will be eliminated. As his training is completed, Matthews and his trainer discover The Corporation’s true purpose and learn they are to be eliminated when their assignment is complete. Now they must execute their own form of justice before it’s too late.
When Steve Coogan is asked by The Observer to tour the country’s finest restaurants, he envisions it as the perfect getaway with his beautiful girlfriend. But, when she backs out on him, he has no one to accompany him but his best friend and source of eternal aggravation, Rob Brydon.
In 1926 the tragic and untimely death of a silent screen actor caused female moviegoers to riot in the streets and in some cases to commit suicide…
When a family of swans make their home on the Peterson farm, it’s love at first sight for 10-year-old daughter Frankie. But along comes no-nonsense ornithologist Ginny Newsom, who rushes in to “save” the majestic birds. For Frankie’s dad Jack, it’s dislike at first sight when he encounters pushy, know-it-all Ginny. Frankie and her brothers are anything but neutral observers as they watch the initial hostility between their widowed father and the strong-willed Ginny transform into something else. Could that be romance in the air?
When Molly, the 21 year-old sister of Maarten, departs the family home, she leaves her older brother with empty nest syndrome. But it also opens up new opportunities for him, such as the possibility to explore his love for Arthur, a closet gay. Molly and Maarten wrestle with their personal relationships and also their relationship with one another, but fate nevertheless seems determined to strike them both down.
A guy (Jesse Bradford) has his life planned out, until he is wooed, groomed and then dumped by an elusive woman (Elisha Cuthbert).
After being a victim of rape within their own home, Diana chooses to keep the trauma secret. Mario, her husband, also has something to hide. The silence takes the couple’s account over the day turns gradually into a peculiar form of violence.