This is the story of four French friends: the Greek (an osteopath), Fifi (who lives with his mother), Fortuné (a West Indian) and Freddy (a gambler). They meet up regularly at a Parisian bookmakers’, their favourite haunt. Tired of frittering away the little spare cash they have, they agree to give up gambling. But no sooner have they taken this pledge than Fate intervenes, in the guise of the turf king, Monsieur Paul. The latter persuades the four friends to buy a champion racehorse, not knowing that it is in fact an old nag…

This morning they were playing ping-pong in the hospital rec room. Now they’re lost in New York and framed for murder. This was never covered in group therapy.

Four teenaged lads set off to get laid in order to stay alive. However, the boys have to attract the girls first in order to complete their mission. Otherwise, they will be hunted and killed by a vicious Werewolf which only seems interested in Virgins.

Aliens land in the mythical town of “Speelburgh, U.S.A” searching for the source of rock & roll. What they find is a gang of teenagers, led by Dee Dee (the inimitable Pia Zadora) and Frankie, along with Frankie’s posse/rock band, the Pack. The leader of the aliens takes a shine to Dee Dee and all sorts of trouble breaks out.

Journey 80 million years back in time to an age when mighty dinosaurs dominated the land – and an equally astonishing assortment of ferocious creatures swam, hunted, and fought for survival beneath the vast, mysterious prehistoric seas.

Nosema is a story of death in the guise of rebirth, of a couple before their disappearance last summer. Hürmüz and Şimuni Diril had to rebuild their homes for the eighth time as it was bombed and burned down in the middle of an armed conflict which forced them several times to leave their village Meer, one of the last remaining Chaldean Catholic villages in Turkey. On October 2019, they reunited with their children as usual, but this time proved to be the last as they disappeared from their home several months later. Şimuni Diril’s body was eventually discovered, Hürmüz Diril is still missing.

A businessman is reunited with the four lost souls who were his guardian angels during childhood, all with a particular purpose to joining the afterlife.

A formerly acclaimed graphic novelist goes looking for true connection outside of his marriage, and over the fence.

A family friendly LGBT short film. Connor is out to eat with his family when he sees a married gay couple. He begins to imagine their lives leading up to that point. What was it like for them to meet? To come out of the closet to parents? To have their first gay kiss? Through this daydream, Connor reflects on his own future and identity.

Andrew Dice Clay presents a stand up special featuring his favorite blue comics, Eleanor Kerrigan, Steve Wilson, Erik Myers, Jason Rouse, Michael Wheels Paris, Colin Kane and The Smash Brothers.

Recess: School’s Out is a 2001 animated film based on the Disney television series Recess. This film was produced by Walt Disney Pictures and was released theatrically nationwide on February 16, 2001.It’s the most exciting time of year at Third Street Elementary– the end of the School Year! But boredom quickly sets in for protagonist TJ Detweiler, as his friends are headed for Summer Camp. One day, while passing by the school on his bike, he notices a green glow coming from the school’s auditorium. This is the work of the insidious ex-principal of Third Street, Phillium Benedict and his gang of ninjas and secret service look-alikes! Benedict is planning to get rid of Summer Vacation using his newly-acquired Tractor Beam, which he stole from the US Military Base in an effort to raise US Test Scores, and it’s up to the Recess Gang to stop him! In the end.

A lighthearted take on director Yasujiro Ozu’s perennial theme of the challenges of inter­generational relationships, Good Morning tells the story of two young boys who stop speaking in protest after their parents refuse to buy a television set. Ozu weaves a wealth of subtle gags through a family portrait as rich as those of his dramatic films, mocking the foibles of the adult world through the eyes of his child protagonists. Shot in stunning color and set in a suburb of Tokyo where housewives gossip about the neighbors’ new washing machine and unemployed husbands look for work as door-to-door salesmen, this charming comedy refashions Ozu’s own silent classic I Was Born, But . . . to gently satirize consumerism in postwar Japan.